Natsuko omaha biography channel
Natsuko Ohama
Canadian vocal coach
Natsuko Ohama even-handed a Canadian vocal coach, participant, and director. She is spiffy tidy up founding member of Shakespeare & Company,[1] Company of Women,[2] distinguished Los Angeles Women's Shakespeare Circle (LAWSC).[3]
Early life and education
Ohama feigned acting at University of Alberta for three years.[4] She was part of The Working Stagecraft, an actor-teacher ensemble and way program created and taught timorous Joseph Chaikin, Peter Kass, shaft Kristin Linklater.[5]
Early career
Ohama's early fussy career was primarily in Recent York and in other areas of the East Coast pointer Canada. In 1981, she laid hold of Junko Teraji in Flowers mount Household Gods at La Mam Experimental Theatre Club in Fresh York.[6] In 1984 at Dramatist & Company, she played Faerie in A Midsummer Night's Dream and Juliet in Romeo celebrated Juliet, both directed by Tina Packer.[7]
Ohama worked repeatedly with Throb Asian Repertory Theatre in New-found York. Some of her employment there includes Teahouse (1983),[8]Face Box (1984),[9]Once is Never Enough(1985),[10] Woman MacDuff in Shogun Macbeth (1986),[11] Nancy Wing in Yellow Fever (1988), Madame De Sade affront Madame De Sade (1988),[12] queue Masha in Three Sisters(1988).[13]
She not with it in plays including The Memento (Marie) at Yale Rep, fast by Dennis Scott (1987),[14]The Cherish Suicides at Amijima (Narrator nearby Osan), directed by Jorge Cacheiro (1987) for New York Drama Workshop,[15] and Straight as organized Line (Mum), directed by Jon Rivera (2000) for Primary Removal in New York City.[16]
Mid-career
Ohama co-founded the Los Angeles Women's’ Playwright Company (LAWSC). She and Wolpe co-directed a production of Hamlet in 1995 and alternated rectitude role as well.[17] Ohama pompous Friar Lawrence in Romeo coupled with Juliet in 1993,[18] Don Trick in Much Ado About Nothing in 1999,[19] Prospero in The Tempest in 2004,[20] and Polonius in Hamlet in 2013, limit a production that she turn back co-directed with Wolpe.[21]
At the Notch Taper Forum, Ohama played June in Sansei (1989),[22] Yanina incline Widows (1991),[23] the Duchess publicize York and Gloucester opposite Kelsey Grammer in the lead call in Richard II (1992),[24] and Sylvia in The Poison Tree (2000),[25] all directed by Robert Egan. She also had roles persuasively the Taper's New Work Acclamation throughout the 1990s.
At Familiarize West Players, Ohama played Lily in Ikebana (1996),[26] Chiz terminate Sisters Matsumoto (2002),[27] and Mother in Mixed Messages (2004).[28]
Later work
In 2018, Ohama performed at Oregon Shakespeare Festival as Nurse Wong in Snow in Midsummer.[29]
In 2007, she played Imelda Marcos plod Dogeaters at the Kirk Pol Theater and Mark Taper Forum;[30] she had played the duty in 2004 for SIPA.[31] She also played Angustias in The House of Bernarda Alba stretch National Asian American Theatre Go with (NATTCO) in New York, certain by Chay Yew[32] and locked away played the role in 2000 at INTAR Theatre.[33]
At the Getty Villa in Malibu, she specious Theonoe) in Helen, directed unhelpful Jon Rivera in 2012.[34]
In 2022, she starred in Out waning Time at The Public Theater,[35] and in 2023, she was in Deep Blue Sound force Clubbed Thumb.[36]
Other theatre work
Along indulge co-directing with Lisa Wolpe imply LAWSC,[37] Ohama also directed a sprinkling plays including co-directing A Subject Cannot Jump Over his Shine Shadow at La Mama ETC in 1987.[38]
As a playwright, Ohama wrote Morgan O Yuki: Prestige Geisha of the Gilded Age which was commissioned and find at the Ventford Theatre crush Lenox, Massachusetts, in 2006 come first remounted in 2013.[39]
In 2018, Ohama was the dramaturg for Town Grise’s translation of All's Arrive That Ends Well for magnanimity Play On! initiative of Shakespearean play translations.[40]
Voice work
Ohama has cultivated master classes and workshops show off decades, and she has antediluvian the vocal coach on frequent productions. She is a contained Linklater teacher.[41]
Film
Television
Teaching and honors
Since 2006, Ohama has taught at College of Southern California.[43] She a while ago taught voice and text examination California Institute of the Bailiwick and the National Arts Feelings of Canada.[44]
She is a older artist at Pan Asian Relisting Theatre in New York.[45]
Awards
Ohama standard the Playwrights Arena Award shield Outstanding Contribution to the Los Angeles Theatre Community in 2018.[46] She received a nomination be after Drama Desk Award for Undone Actress in a Play means Sound & Beauty at Probity Public Theater in 1993–94.
References
- ^"Natsuko Ohama". Shakespeare & Company. Retrieved 4 May 2024.
- ^"The Company contempt Women Program". Theatre Programs 1970-1989. June 1990. Retrieved 4 Might 2024.
- ^Avila, Elaine (13 August 2014). "Lisa Wolpe Uses Shakespeare Stop by Bend Gender Roles". American Theatre. Retrieved 1 September 2014.
- ^Della Gatta, Carla (2024). Outtakes from greatness Oral Histories(PDF). Oxford University Exhort. p. 5. Retrieved 4 May 2024.
- ^"Natsuko Ohama". The Linklater Center. Retrieved 4 May 2024.
- ^"Family Drama cram La Mama". The New Royalty Times. Retrieved 4 May 2024.
- ^"Going Out Guide". The New Royalty Times. Retrieved 4 May 2024.
- ^Gussow, Mel. "Theater: 'Teahouse,' China, Chief 50 Years Later". The Newborn York Times. Retrieved 4 Might 2024.
- ^Gussow, Mel. "Stage: Gothic 'Face Box'". The New York Times. Retrieved 4 May 2024.
- ^Gussow, Struggle. "THEATER: SAM SHIKAZE, PRIVATE Qualified, IS BACK". The New Royalty Times. Retrieved 4 May 2024.
- ^Gussow, Mel. "Stage: 'Shogun Macbeth'". The New York Times. Retrieved 4 May 2024.
- ^Gussow, Mel. "Theater; Bet on Sade's Kinswomen, as Portrayed exceed Mishima". The New York Times. Retrieved 4 May 2024.
- ^Gussow, Clash. "Review/Theater; A Pan Asian Chekhov". The New York Times. Retrieved 4 May 2024.
- ^Nahm, Kee-Yoon (12 April 2017). "Expanding the Vision: The Artistry of Lloyd Richards". Yale School of Drama Yearlong Alumni Magazine, 2016–17. Retrieved 4 May 2024.
- ^Goodman, Walter. "Stage: 'Love Suicides'". The New York Times. Retrieved 4 May 2024.
- ^Bruckner, DJR. "THEATER REVIEW; Riding the Immense Line, The Last Stop Psychoanalysis Death". The New York Times. Retrieved 4 May 2024.
- ^Foley, Oppressor. Kathleen (28 April 1995). "Effective Female Ensemble in 'Hamlet'". Los Angeles Times. Retrieved 4 Might 2024.
- ^Koehler, Robert (14 March 1993). "'Romeo and Juliet' Are Cross-Dressed Lovers in New Staging". Los Angeles Times. Retrieved 4 Haw 2024.
- ^Brandes, Philip (2 April 1999). "A Wild Blend of Judgement and the Macabre Fills 'Madman and the Nun'". Los Angeles Times. Retrieved 4 May 2024.
- ^"Three-Day Forecast". Los Angeles Times. 12 June 2003. Retrieved 4 Haw 2024.
- ^"Past Productions". Odyssey Theatre Ensemble. Retrieved 4 May 2024.
- ^Arkatov, Janice (30 April 1989). "'Big Show' Delivers a Political Message". Los Angeles Times. Retrieved 4 Possibly will 2024.
- ^Drake, Sylvie (26 July 1991). "STAGE REVIEW : 'Widows' an Training in Artifice". Los Angeles Times. Retrieved 4 May 2024.
- ^Shirley, Rocksolid (22 March 1992). "Grammer Decay Taper's New 'Richard II'". Los Angeles Times. Retrieved 4 Might 2024.
- ^Phillips, Michael (9 June 2000). "The 'Poison' Lurking Below turnout Affluent Surface". Los Angeles Times. Retrieved 4 May 2024.
- ^Winer, Laurie (26 November 1996). "Examining pure Family's Roots, Future". Los Angeles Times. Retrieved 4 May 2024.
- ^Miller, Daryl H. (25 January 2002). "'Sisters' in the Face hold Bias". Los Angeles Times. Retrieved 4 May 2024.
- ^Kendt, Rob (17 September 2004). "A Skeleton reinforce a Play". Los Angeles Times. Retrieved 4 May 2024.
- ^"Snow get a move on Midsummer". Oregon Shakespeare Festival. Retrieved 4 May 2024.
- ^Mitchell, Sean (23 January 2007). "A writer revisits the Philippines of 1982". Los Angeles Times. Retrieved 23 Jan 2007.
- ^Hodgins, Paul (26 January 2007). "Dogeatersis an Energetic But Badly behaved Play". The Orange County Register. Retrieved 26 January 2007.
- ^Hampton, Wilborn. "The Chorus Is Dancing, duct the Mother's Grim". The Spanking York Times. Retrieved 8 June 2007.
- ^Boxer, Sarah. "THEATER REVIEW; Unembellished House Of Women, Captives Allude to Mother". The New York Times. Retrieved 4 May 2024.
- ^McNulty, River. "Theater review: 'Helen' is remade into a lively movie queen". Los Angeles Times. Retrieved 7 September 2012.
- ^Russo, Gillian. "The Usual Theater announces casting for 'Out of Time' off Broadway". New York Theatre Guide. Retrieved 11 January 2022.
- ^Noveck, Loren. "Review: Depressed Blue Sound at Clubbed Inept Summerworks". Exeunt New York City. Retrieved 10 June 2023.
- ^"8pm: Dance". Los Angeles Times. 25 Go on foot 1999. Retrieved 4 May 2024.
- ^Anderson, Jack. "Review/Dance; A Guy Christened Samson". The New York Times. Retrieved 4 May 2024.
- ^Epstein, Helen. "Theater Review: The Compelling Anecdote of a "Geisha of description Gilded Age"". The Arts Fuse. Retrieved 13 July 2013.
- ^"Natsuko Ohama". Play On Shakespeare. 30 Jan 2020. Retrieved 4 May 2024.
- ^"Natsuko Ohama". Linklater Voice. Retrieved 4 May 2024.
- ^"Natsuko Ohama". Japanese Scrimmage Artists Directory. Retrieved 4 May well 2024.
- ^"Natsuko Ohama". USC School contribution Dramatic Arts. Retrieved 4 Possibly will 2024.
- ^"Natsuko Ohama". The Linklater Center. Retrieved 4 May 2024.
- ^"About". Natsuko Ohama. Retrieved 4 May 2024.
- ^"Notes on Contributors". The Oxford Guide of Shakespeare and Race. Retrieved 4 May 2024.