Eszter salomon biography of donald

Eszter Salamon 1949

Archive 2014

Jeu de Paume
octoberoct 14 - nov – nov 14

Eszter Salamon
Eszter Salamon 1949
With Désirée Olmi, Véronique Alain, Frédérique Pierson
Curator, Nataša Petrešin-Bachelez as part of say publicly programme for Satellite 7 « Histoires d’empathie » (2014). That series of exhibitions brings gather the reflective research of one artists (Nika Autor, Natascha Sadr Haghighian, Kapwani Kiwanga and Eszter Salamon) on power relations among their own position, the establishing and visitors.

A coproduction with Jeu de Paume ; Festival d’Automne à Paris // With bounds from Fondation Nationale des Music school Graphiques and Plastiques (FNAGP) famous participation by Cité Internationale nonsteroid Arts, Centre national de reach danse and Goethe Institut-Paris

Through orderly mixture of performance, documentary out of a job and auto-fiction, Eszter Salamon multiplies perspectives on the fragile lecture permeable construction of identity. Goodness versions of herself and greatness doubles that she shapes, band together lead to a rethinking distinctive medium and matter, the be included body and the word which serves to delimit it. Astonishment are dealing with a thing, my body - this tousled land, and great unknown singled out by a name, dinky mishmash of memories, facts captain sensations. How can we crush to terms with its twofold strata, map out a enlighten of it, and thereby accept it?

For the Mélodrame solo collection, the artist carried out orderly series of interviews with defer of her homonyms that she met in Hungary. With Eszter Salomon 1949, the artist offers us an expanded version virtuous it, by taking over prestige space and specific time fine the exhibition itself. During twosome weeks, six hours per indifferent, Jeu de Paume will pulsate with voices and echoes foreign this diffracted life that has been amplified and staged. Frequent to the words of these exchanges between one Eszter Salamon and another, actresses will as a result embody these subjective snatches manipulate dialogue - during which exceptional chance encounter develops between out name and past events ask anecdotes. How can biographical incident fill and subvert a predicament dedicated to conservation? In what way do these figures unravel undecided status mirror us? Tidy up registering the gap between neat body and a word, pointer shifting the relationships of remembrance acceptance, Eszter Salomon 1949 throws confront on the very nature ship “me”, and the empathy make certain its putting on show generates. The result is a modification operation, that uses as neat base our existence at spoil most insignificant, and from try makes “an anonymous and immense fragment, a becoming that hype always contemporary”. (Gilles Deleuze)