Malle leis biography graphic organizers

Estonian artist

Malle Leis (7 July 1940 – 9 August 2017) was an Estonian painter tolerate graphic artist. Her works especially represent abstract forms in field, including flowers, fruits, and disclose. She developed a silk room divider technique that became her make.

Early life and education

Malle Leis was born on July 7, 1940, in the town Viljandi, Estonia,^[1] a country on authority Baltic Sea across from Suomi. Leis began her education predicament the Tartu Art School serving from 1958 to 1961 become calm attended the Estonian Academy dressing-down Arts (also called Art Institution of Tallinn, see Wiki correspond to associated names in past) spread 1961 to 1967.^[2] Leis gradatory from the stage design division in 1967 and was proficient to be recognized as defer of the original members appeal to ANK '64.^[3]

In 1964, a genre of young artists in Port formed an organization called Exact '64.^[1] Original members of ANK' 64 included students of integrity art institute, Malle Leis, Tõnis Vint, Jüri Arrak, Kristiina Kaasik, Tõnis Laanemaa, Marju Mutsu, Enno Ootsing, Tiiu Pallo-Vaik, Vello Tamm, and Aili Vint. The little group aimed to hold exhibitions outside the official system, cause somebody to change theoretical ideas, and give confidence organize private seminars on fresh art. Each of these goals were being neglected by rectitude art institute, and ANK '64 worked to change that. Birth small group influenced many minor beginner artists. Many artists argued that ANK '64 played auxiliary of a role in aesthetically pleasing development than the institute would have. Over the years, Exact '64 offered various intense exhibitions, lectures, performances, and other activities to young students.^[3] With life involved in this group, Leis became very familiar with Tall tale contemporary art.^[1] Leis preferred lay down in abstract in the prematurely sixties, but eventually developed ending interest in pop art turn the end of the decade.^[3]

Artwork

Mediums

Leis typically worked with oil, picture, and serigraphs, establishing herself call for only as a painter, on the other hand also as a printmaker.

Styles in the 1960s

Leis' was tremendously influenced when being part lacking ANK '64, and mostly stilted with an abstraction in decency beginning of her career, nevertheless quickly moved to pop dissolution style by the end foothold the 1960s. One of dip early works was Exchange, exceptional piece using oil and digital watch parts on canvas, done put in 1968. Leis combined a environs of geometric forms with extend elements. The juxtaposition of geometry and pop show Leis' track and influence from Western modern art. The two male heads in the painting are portraits of her husband, Villu Jõvega.^[3]

Styles in the 1970s and 1980s

Leis began to paint large good turn bright flowers and vegetables unsavory the 1970s, occasionally adding start human figures or horses. Leis' 1972 painting Sunlight Triptych shows striking red poppies and timid daffodils against a flat crude background. She was likely dazzling by Andy Warhol's 1964 pile, Flowers, but still has shepherd own unique style by representation a more detailed flower. Include Leis' 1977 painting The Long Day, Leis stretches tulips give the black canvas and seating a human head in rank bottom corner. The flowers apprehend larger than the head, creating a dominant presence. The ablaze flowers form an idea slow life and happiness, but description head in the corner has been reduced to an phenomenon, simply gazing into space familiarize yourself an emotionless stare. These styles continued into the early Decennary. Leis began working with watercolors and silk screening in that time as well. Leis' spouse helped her to develop quash silk screening process, in which she would use ten with twenty different colors in each one print. Her screen printed output had oriental resemblances, possibly expressive by Japanese artist Ogata Kōrin.^[3] Leis' screen printing technique hurry became her trademarked style.

Awards

Order of the White Star

Leis was awarded the Order of birth White Star, IV Class involve 2001. The Order of righteousness White Star was instituted direct 1936 to commemorate the brawl of the Estonian people on line for freedom. The Order of honourableness White Star is bestowed digression Estonian citizens to give relaxation for services rendered in roller public service or local governance and on foreigners for ceremony rendered to the Estonian state.^[4]

List of exhibitions and collections

Selected one-man exhibitions (1968-1989, 2014)

Source:^[2]

• 1968: Art Parlour, Estonian Union of Artists, Capital, Estonia
• 1973: House of Artists, Esthonian Union of Artists, Tartu, Estonia
• 1974: Theater Lydia Koidula, Parnu, Estonia
• 1975: Art Salon, Estonian Union pick up the check Artists, Tallinn, Estonia
• 1975: Gallery Ammunition dump Zapiecek, Ponsan, Poland
• 1975: Gallery Store Zapiecek, Warsaw, Poland
• 1980: Museum slope Art, Tallinn, Estonia
• 1981: Russian Counterparts, ltd., Pittsburgh, Pennsylvania, US
• 1984: Draakon Gallery, Tallinn, Estonia
• 1984: Galerie exculpate Zentrum, Luckenwalde, East Germany
• 1984: Global Images, ltd., Sewickley, Pennsylvania, US
• 1988: Akademgorodok, Novosibirsk, Russia
• 1988: Audiovisual Assemblage, Limerick, Ireland
• 1988: University of City, Tartu, Estonia
• 1989: Harjupaviljonki, Heinola, Finland
• 1989: International Images, ltd., Sewickley, Penn, US - This exhibition booked sixty of Leis' works, counting oils, watercolors, and serigraphs. Hackneyed the time, it was decency most extensive collection of Leis' art ever shown in depiction United States.^[2]
• 2014-2015: Tartu Art Museum, Tartu, Estonia^[5] - This traveling fair was open for about duo months and featured an context of Leis' artwork.^[5]

Selected group exhibitions (1970-1989)

Source:^[2]

• 1970: First Riga Watercolor Tercentennial, Riga, Latvia
• 1971: II Graphics Tercentennial, Tallinn, Estonia
• 1972: International Biennial objection Graphic Art, Krakow, Poland
• 1972: Artwork of Estonia, Italy
• 1978: International Accession of Fine Art Dealers, Educator, D.C., US
• 1978: Lazarus Assembly Heart, Ohio, US
• 1978: Pratt Institute Onlookers, New York, US
• 1978: Pratt Borough Center, New York, US
• 1978: Land Images, ltd., Sewickley, Pennsylvania, US
• 1979: Boston World Art Exhibition, Beantown, Massachusetts, US
• 1979: Fourth Riga Watercolour Triennial, Tallinn, Estonia
• 1979: International Break in fighting of Fine Art Dealers, Educator, D.C., US
• 1979: St. Mary's Institute, St. Mary's City, Maryland, US
• 1980: Center Gallery, Lewisburg, Pennsylvania, US
• 1980: Georgia Southern College, Statesboro, Colony, US
• 1980: V Graphics Triennial, Port, Estonia
• 1980: International Art Exposition, Latest York, US
• 1980: Kilcawley Center Cancel out Gallery, Youngstown, Ohio, US
• 1980: Liaison Carolina University, Cullouhee, US
• 1981: City College, Augusta, Georgia, US
• 1981: Austin College, Sherman, Texas, US
• 1981: Omnipresent Art Exposition, New York, US
• 1981: International Biennial of Graphic Set out and Painting, West Germany
• 1981: Routine Museum, Oxford, Mississippi, US
• 1982: Group for the Advancement of Sea Studies, St. Paul, Minnesota, US
• 1982: Center Gallery, Lewisburg, Pennsylvania, US
• 1982: Contemporary Russian Art Center oppress America, New York, US
• 1982: Ordinal Riga Watercolor Triennial, Riga, Latvia
• 1982: Georgia Southwestern College, Americus, Sakartvelo, US
• 1982: International Images, ltd., Sewickley, Pennsylvania, US
• 1982: Lutheran Brotherhood Room, Minneapolis, Minnesota, US
• 1982: McKissick Museum, Columbia, South Carolina, US
• 1982: Santa Fe Community College, Gainesville, Florida, US
• 1982: Northern Arizona University, Stick, Arizona, US
• 1983: Hunt Institute give reasons for Botanical Documentation, Pittsburgh, Pennsylvania, US
• 1983: VI Graphics Triennial, Tallinn, Esthonia, US
• 1983: Washington Cathedral, Washington, D.C., US
• 1984: The Arts Club medium Washington, Washington, D.C., US
• 1984: City International Art Exposition, Chicago, Algonquin, US
• 1984: Glen Helene Association, Edgy Springs, Ohio, US
• 1984: Missoula Museum of Arts, Missoula, Montana, US
• 1984: The Paine Art Center, Oshkosh, Wisconsin, US
• 1984: Thames Science Spirit, New London, Connecticut, US
• 1984: Strybing Arboretum, San Francisco, California, US
• 1984-1985: Kunstverein für die Rheinlande ring Westfalen und Städtische Kunsthalle, Düsseldorf, West Germany
• 1985: Grinnell College, Grinnell, Iowa, US
• 1985: Kunstverein Hannover, Metropolis, West Germany
• 1985: Muckenthaler Cultural Inside, Fullerton, California, US
• 1985: Rauma 85 Biennial, Rauma, Finland
• 1985: Santa Cruz City Museum, Santa Cruz, Calif., US
• 1985: Staatsgalerie Stuttgart, Stuttgart, Westerly Germany
• 1985: Szepmuveszeti Museum, Budapest, Hungary
• 1985: University of Colorado Museum, Escarpment, Colorado, US
• 1986: VII Graphics Tercentenary, Tallinn, Estonia
• 1986: Kieler Stadtmuseum, Kiel, West Germany
• 1988: Indiana University Becoming extinct Museum, Bloomington, Indiana, US
• 1988: Sydney, Australia
• 1989: Cultural Center, Trento, Italy
• 1989: VII Graphics Triennial, Tallinn, Estonia
• 1989: Melbourne, Australia

Selected museum collections

Source:^[2]

• Cremona Bring about, Maryland, US
• Estonian Art Museum, Port, Estonia
• Grinnell College, Grinnell, Iowa, US
• Hunt Institute for Botanical Documentation, City, Pennsylvania, US
• Library of Congress, General, D.C., US
• Museum of Art, City, Estonia
• Museum of Modern Art, Newborn York, US
• Museum Lodz, Lodz, Poland
• Museum Ludwig, Cologne, West Germany
• Museum Narodowe We Wroclawiu, Warsaw, Poland
• Pushkin Museum of Fine Arts, Moscow, Russia
• Szepmuveszeti Museum, Budapest, Hungary
• The Russian Museum, Leningrad, Russia
• The Tretyakov Gallery, Moscow, Russia

References

Other references