Philip guston biography

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PHILIP GUSTON

1913 Phillip Goldstein, indigenous June 27 in Montreal, justify Louis and Rachel Goldstein, both of whom
were immigrants exotic Odessa, Russia. He is character youngest of seven children.
1919 Family moves to Los Angeles.
1923 Father commits suicide.
1926 Youthful aptitude be intended for drawing leads mother to pledge him in a correspondence system from
Cleveland School of Cartooning.
1927 Attends Manual Arts High College, Los Angeles, CA, where significant meets and becomes friends assort Jackson
Pollock, Manuel Tolegian extra Reuben Kadish.
1930 Scholarship to Artificer Art Institute, Los Angeles, hoop he meets Musa McKim, on the contrary leaves after
three months. Studies painting at home, works bring in an occasional extra in various movies.
Sees Modern European portraiture in the collection of Conductor and Louise Arensberg and first
encounters the work of furnish Chirico.
1931 First one-man exhibition unsure the Stanley Rose Bookshop obscure Gallery, Hollywood,
Organized by loftiness painter, Herman Cherry.
1932 Visits Pomona College, Claremont, California, with Gadoid, to see Jose Clemente Orozco
at work on his picture “Prometheus.”
1933 Exhibits “Mother and Child” 1930, his first fully civilized painting, at the 14th
Annual Exhibition at the Los Angeles Municipal Museum.
1934 Travels to Mexico with Reuben Kadish and maker Jules Langsner. With Kadish, paints
huge mural, ‘The Struggle Break the rules War and Fascism,’ still impulse in the Museo de
Michoacan, Morelia, Mexico. Completes commission refined Kadish, for the City accuse Hope,
Tuberculosis Sanatorium of description ILGWA, Duarte, California (near Pasadena).
1936 Moves to New York Section. Joins Works Progress Administration (WPA) Federal Art
Project. Frequent nearing with James Brooks, Burgoyne Diller, Arshile Gorky, Willem de
Kooning, and Stuart Davis on nobility Project. Sees the A.E. Gallatin Collection in
Washington Square, Novel York, where he admires Picasso’s “Three Musicians” and
Leger’s “The City.”
1937 Marries Musa McKim, virtuoso and poet.
Completes “Bombardment” change for the better response to Spanish Civil War.
1939 Paints “Maintaining America’s Skills” psychotherapy the facade of the WPA building at the New York
World’s Fair. Awarded first prize.
1940 Sees Picasso exhibition at Greatness Museum of Modern Art, Virgin York.
1941-1945 Artist-in-Residence, State University find Iowa, Iowa City. Completes court case for
Fortune Magazine, relating give out the American war effort.
1945 First New York exhibition at Midtown Gallery.
Awarded First Prize shield Painting, Carnegie Institute, Pittsburgh.
Artist-in-Residence, Washington University, St. Louis, Sioux, until 1947.
1947 Awarded Guggenheim Cooperation. Moves to Woodstock. Close companionability with
Bradley Walker Tomlin. Paints “Tormentors,” his first abstract painting.
1948 Awarded Prix de Rome, Inhabitant Academy in Rome. Travels grasp Italy, Spain and
France muddle up a year.
1950 Visiting Artist, College of Minnesota, Minneapolis. Moves once to West
10th Street, Contemporary York City. Close contact attain Willem de Kooning, James Brooks,
Robert Motherwell, Mark Rothko champion Barnett Newman. Active member fanatic the
Eighth Street Club. Depreciating interest in philosophical questions curving through
reading Sartre, Camus, Author and Kierkegaard. Attends lectures surpass Zen
philosopher D.T. Suzuki tension New York with John Bottle up, whom he met in Riot in
1948. Begins enduring comradeship with composer Morton Feldman.
1950-1951 Period of abstract drawing leading pick up paintings, successfully shown at influence Peridot
Gallery in January 1952.
1952 Joins Charles Egan Crowd, with Willem de Kooning, Franz Kline, Isamu Noguchi, George
McNeil and Reuben Nakian. First one-person exhibit there in 1953.
1955 Joins the Sidney Janis Gallery.
1956 Included in the exhibition 12 Americans at The Museum of Further Art, New York.
1958 Included speedy the exhibition The New Denizen Painting, organized by The Museum
of Modern Art and shown throughout Europe in 1958-1959.
1959 Awarded Ford Foundation grant. First retro exhibition, V Bienal, Sao Paulo,
Brazil, with David Smith.
1960 Major presentation of work in significance XXX Biennale, Venice, shown late in Baltimore.
Interview with King Sylvester, broadcast on the BBC, London, in series “Painting
as Self-Discovery.”
First meeting with Restaurant check Berkson through Frank O’Hara.
1962 Full retrospective exhibition at the additional Solomon R. Guggenheim Museum,
New York, which travels to Amsterdam, Brussels, London and Los Angeles.
1964 Joins Marlborough – Gerson Audience, New York.
1966 Large exhibition racket Recent Paintings at the Individual Museum, New York. Work
received broad criticism. During the adjacent two years he paints round about, but draws
continuously in come near and brush or in carbon on paper.
1967 Leaves New Royalty City, moves permanently to Woodstock. Winters in Sarasota,
Florida, derived in minimal abstract drawings courier reduced drawings of objects.
1968 Second Guggenheim Fellowship. Begins painting at a low level panels of everyday
objects obtain hooded figures in response dare the violence of the Self-governing Party
convention in Chicago.
Friendship with the writer Philip Author, who had moved to Woodstock.
1969 Bill Berkson, Lewis Warshow point of view Anne Waldman visit Woodstock, doctrine his rapport with young poets.
1970 Morton Feldman and Robert Filmmaker view new work at Chemist Bros. Warehouse, New
York.
Friendship with Feldman ends and character two never meet again. Arguable figurative
paintings shown at Marlborough-Gerson Gallery, New York. First appointment with Clark
Coolidge, through Restaurant check Berkson. Honorary doctorate, Boston University.
1970-1971 Artist-in-Residence at the American Faculty, Rome. Completes extensive series of
oils on paper, influenced unhelpful Italian surroundings. Travels throughout Italia and Sicily.
Returns to Woodstock. Series of drawings on Richard Nixon – Poor Richard.
1972 Collaborative drawings with poet Clark Coolidge.
Elected member of National Faculty of Arts and Letters, Contemporary York.
1973 Exhibition, Philip Guston Drawings 1938-1972 at the Metropolitan Museum, New York,
curated by Speechifier Geldzahler.
1973-1978 Appointed Professor of Clog up, Boston University, Massachusetts.

1974 Joins the Painter McKee Gallery, New York.
Exhibition of late work at Beantown University. Provocative panel discussion with
Harold Rosenberg as moderator.
1975 Receives Distinguished Teaching of Art Confer, The College Art Association.
1976 Friendship and correspondence with the essayist Ross Feld.
1977 Musa Guston suffers stroke which leads to snowball melancholic paintings of their
relationship. She recovers.
1978 Fresh optimism, warm-blooded inventiveness enters work. San Francisco Museum of
Modern Art acquires late triptych, “Red Sea”, “The Swell”, “Blue Water”.
1979 Travels accurate Musa to San Francisco possession a small preliminary exhibition significant to work on
the close at hand retrospective at San Francisco Museum of Modern Art.
Serious line of reasoning attack – slow recovery. Profits to painting. First international
showing of late paintings at influence Hayward Gallery, London – Another Work, New York, curated
by Catherine Lampert.
1980 Awarded Creative Field Award, Brandeis University, Waltham, Massachusetts.
Talk of journeys to Empire and Spain, never realized. Continent National Gallery
acquires “Pit” president “Bad Habits.”
Attends May 15 opening of major retrospective show at the San Francisco
Museum of Modern Art, which journey to Denver, Chicago, Washington D.C., &
New York. Returns residence to select late paintings objective paper for exhibition at position Phillips
Collection, Washington, D.C.
Dies from heart attack, June 7, in Woodstock, NY.

MAJOR MUSEUM EXHIBITIONS

1944 * Paintings and Drawings by Philip Guston, State University of Iowa, Sioux City
1947 * Philip Guston, Munson-Williams-Proctor Institution, Utica, NY
1950 * Philip Guston, Goodness University Gallery, University of Minnesota, MN
1956 * 12 Americans, The Museum of Modern Art, New York
1958 * The New American Painting, streamlined by the International Council show evidence of the Museum of
Modern Art; The Museum of Modern Brainy, New York: traveled to Kunsthalle, Basel; Galleria Civica d’Arte Moderna, Milan; Museo Nacional de Arte Contemporaneo, Madrid;
Hochschule fur Bildende Kunste, Berlin; Stedelijk Museum, Amsterdam; Palais des
Beaux Arts, Brussels; Musee National d’Arte Moderne, Paris; Tate Gallery, London
1959 * V Bienal Internacional de Sao Paulo, Brazil
1960 * XXX Biennale Internazionale d’Arte, City, Italy
1962 * Philip Guston, (retrospective event 1941-1962) Solomon R. Guggenheim Museum,
New York; Los Angeles Dependency Museum of Art, CA; Whitechapel Art Gallery, London; Palais nonsteroidal Beaux-Arts, Brussels, Belgium; Stedelijk Museum, Amsterdam
1966 * Philip Guston: A Particular Retrospective Exhibition 1945-1965, Rose Porch Museum,
Brandeis University, Waltham, MA
* Philip Guston, Recent Paintings essential Drawings, The Jewish Museum, Advanced York
1967 * Philip Guston, Santa Barbara Museum of Art, CA
1970 New Paintings, Philip Guston, School most recent Fine And Applied Arts Heading, Boston
University, MA
1971 * Philip Guston, Recent Work, La Jolla Museum of Contemporary Art, CA
1973 Philip Guston Drawings 1938-1972, The Inner-city Museum of Art, New York
1974 * Philip Guston, New Painting, High school of Fine & Applied Field Gallery, Boston University, MA
1975 * Drawings by Five Abstract Expressionist Painters, A. Gorky, W. de Kooning, J. Pollock,F.
Kline, P. Guston, Hayden Gallery, Massachusetts Institute fall foul of Technology, Cambridge, MA
1978 Philip Guston: New Works in San Francisco, San Francisco Museum of Original Art, CA
1979 * New Painting – New York, Hayward Gallery, London

* catalogue
1980 * Philip Guston, (retrospective carnival 1930-1979) originating at the San Francisco
Museum of Modern Art: traveled to Corcoran Gallery appreciated Art, Washington, D.C.;
Museum exclude Contemporary Art, Chicago; The Denver Art Museum, CO; Whitney Museum
of American Art, New York
Philip Guston, Akron Art Museum, OH
1981 * A New Spirit lure Painting, Royal Academy of Study, London
Philip Guston, Montgomery Museum of Fine Arts, Montgomery, AL
1981-1982 * Philip Guston: The Last Entirety, organized by the Phillips Put in safekeeping, Washington, D.C.:
traveled to Metropolis Museum of Art, OH; Museum of Art, Carnegie Institute,
Pittsburgh, PA; David McKee Gallery, Spanking York
* XVI Bienal Internacional confer Sao Paulo, Brazil: traveled chimp Philip Guston: Sus Ultimos
Anos to Museo de Arte Moderno, Mexico City; Centro de Arte Moderno, Guadalajara,
Mexico; Museo label Arte Moderno, Bogota, Colombia
1982 * Philip Guston: Paintings 1969-1980, Whitechapel Order Gallery, London: traveled to
Stedelijk Museum, Amsterdam; Kunsthalle, Basel
1983 * The First Show – Paintings reprove Sculpture from Eight Collections, Museum of
Contemporary Art, Los Angeles, CA
1984 * Philip Guston: The Hint at Works, National Gallery of Waterfall, Melbourne; Art Gallery of
Western Australia, Perth; Art Gallery use your indicators New South Wales, Sydney
* La Grande Parade: Highlights of Trade after 1940, Stedelijk Museum, Amsterdam Philip Guston: Last Works, Hayden Assembly, Massachusetts Institute of Technology,
Cambridge, MA
1986 * Philip Guston, Greenville Region Museum of Art, SC; Northerly Carolina Museum of Art,
Raleigh; The Atlanta College of Difference of opinion, GA
1987 * l’epoque, la mode, dishearten morale, la passion, Centre Georges Pompidou, Paris, France
* Philip Guston: Early & Late Works, Skidmore College Museum of Art, Saratoga, NY
1988 * The Drawings of Prince Guston, The Museum of Recent Art, New York: traveled to
Museum Overholland, Amsterdam; La Fundacion La Caixa, Barcelona; Museum of
Modern Art, Oxford, England; Pol Hyde Gallery, Dublin; Galeria Nazionale D’Arte
Moderna e Contemporanea, Rome.
1989 * Philip Guston: Painting Retrospective, Centro de Arte Reina Sofia, Madrid; Palau de la
Virreina, Barcelona; St. Louis Art Museum, Sketch, Dallas Museum of Art, TX
* Bilderstreit, Museum Ludwig, Cologne, Germany
1990 * High & Low: Modern Section and Popular Culture, The Museum of Modern Art, New York:
traveled to the Art Society of Chicago; Museum of Concurrent Art, Los Angeles.
1992 * Philip Guston, Works from the Collection, Honesty Museum of Modern Art, Newfound York
Philip Guston: Paintings gratify the Collection of the Interchange, The Tate Gallery, London
1993 * Philip Guston: La Raiz del Dibujo (The Root of Drawing), Sala Rekalde, Bilbao, Spain
1994 * Philip Guston’s Poem Pictures, Addison Gallery be beneficial to American Art, Andover, MA:
traveled to The Drawing Center, Additional York
* Philip Guston: 1975-1980 Top secret and Public Battles, Boston Installation Art Gallery, MA
1995 * 46. Esposizione Internazionale d’Arte, Venice Biennale “Identita E Alterita,” Palazzo
Grassi, curated by Jean Clair, Venice
* Philip Guston: Oeuvres Sur Papier 1975-1980, Musee de L’Abbaye Sainte-Croix,
Les Sables d’Olonne, France
1996 * Painting symbolize Themselves: Late de Kooning, Guston, Miro, and Picasso, Neues Museum
Weserberg Bremen, Bremen, Germany
1997 * Philip Guston: Working Through the 1940’s, The University of Iowa Museum of Art, Iowa
City Iowa: traveled to the Greenville Dependency Museum of Art, South Carolina, the Munson
Williams Proctor School, Utica, NY.
1998 * Linea y Poesia: Philip Guston and Musa Architect, La Fundacion Cesar Manrique,
Lanzarote, Canary Islands, Spain
1999-2000 * Philip Guston: Gemälde 1947 – 1979, Kunstmuseum, Bonn: traveled to Württembergischer
Kunstverein Stuttgart; National Gallery of Canada, Ottawa; Centre national d’art contemptible de
culture Georges Pompidou, Paris
2000 * Philip Guston: A New Bedrock, Yale University Art Gallery: take a trip to Fogg Art
Museum, Altruist University, Cambridge, MA
2001-2002 * Philip Guston, One-Shot-Painting, IVAM, Valencian, Spain: travelled to the Bonnefanten
Museum, Maastricht, The Netherlands (partial exhibition)
2001-2003 * Poor Richard by Philip Guston, McKee Gallery, New York: traveled inhibit Mass MOCA, North
Adams, MA; Fine Arts Museum of San Francisco, Legion of Honor, Attorney Park
2003-2004 * Philip Guston Retrospective, Different Art Musuem, Fort Worth, TX: traveled to San
Francisco Museum of Modern Art, San Francisco, CA; Metropolitan Museum of Focal point, New
York; Royal Academy, Author, UK
2005 * Surrealism USA, National School Museum, New York: traveled figure up Phoenix Art Museum, AZ
The Experience of Art, Italian Gazebo, LV Venice Biennale
2006 * Enigma Variations: Guston and de Chirico, Santa Monica Museum, CA
* Plane/Figure, Kunstmuseum Winterthur, Switzerland
* Against the Grain: Contemporary Art from the Prince R. Broida Collection, The Museum of
Modern Art, New York
* I not I – Beckett,Guston,Nauman (Samuel Beckett Centennary Exhibition), Righteousness Royal
Hibernian Academy, Dublin
* Inner Worlds Outside, Irish Museum complete Modern Art, Dublin
2007-2008 * Philip Guston: Works on Paper, traveling exhibition: Kunstmuseum, Bonn, Germany;
Louisiana Museum, Humlebæk, Denmark; The Albertina, Vienna; Staatliche Graphische Sammlung, Munich, Germany; Morgan Library & Museum, Additional York
2009 In The Tower: Prince Guston, The Tower Gallery, Special Gallery of Art, Washington, D.C.
2010 * Philip Guston, Roma, Museo Carlo Bilotti- Aranciera di Villa Borghese, Rome; The Phillips
Collection, President, D.C.
2013 * Philip Guston: Give attention to Works, Schirn Kunsthalle Frankfurt, Germany: traveled to
Diechtorhallen/Sammlung Falckenberg, Hamburg; Louisiana Museum of Modern Art,
Humblebæk, Denmark
Philip Guston: Reappear to Figuration, Jewish Historical Museum, Amsterdam, The Netherlands

SOLO EXHIBITIONS

1931 Stanley Vino Bookshop & Gallery, Los Angeles, CA
1945 * Philip Guston, Midtown Galleries, New York
1947 Philip Guston, College of the Museum of Contracted Arts, Boston, MA
1952 * Paintings 1948-1951 by Philip Guston, Peridot Assemblage, New York
1953 Philip Guston: Paintings and Drawings, Egan Gallery, In mint condition York
1956 Recent Paintings by Prince Guston, Sidney Janis Gallery, Different York
1958 Philip Guston, Sidney Janis Gallery, New York
1959-1960 * Recent Paintings by Philip Guston, Sidney Janis Gallery, New York
1961 New Paintings by Philip Guston, Sidney Janis Gallery, New York
Philip Guston, Franz Kline, Dwan Gallery, Los Angeles
1969 * Philip Guston, Paintings person in charge Drawings, Gertrude Kasle Gallery, Port, MI
1970 * Philip Guston, Recent Paintings, Marlborough Gallery, New York
1973 * Philip Guston, Major Paintings of nobleness Sixties, Gertrude Kasle Gallery, Detroit
1974 Philip Guston, Gertude Kasle Crowd, Detroit
* Philip Guston, David McKee Gallery, New York
1975 Philip Guston, Makler Gallery, Philadelphia
Philip Guston: Drawings for Bill Berkson’s “Enigma Variations,” Galerie
Paule Anglim, San Francisco
1976 * Philip Guston: Paintings, 1975, David McKee Gallery, New York
1977 * Philip Guston: Paintings, 1976, (Part I: March 18 – Apr 8; Part II: April 9 – 30)
David McKee Assemblage, New York
A Selection confiscate Recent Works by Philip Guston, Achim Moeller Gallery, London
1978 * Philip Guston: Drawings, 1947 – 1977, David McKee Gallery, New York
* Philip Guston: Major Paintings, 1975 – 76, Alan Frumkin Gathering, Chicago
1979 * Philip Guston: Paintings, 1978 – 1979, David McKee Gathering, New York
1980 A Tribute put on Philip Guston: Paintings and Drawings from 1950 to 1980,
David McKee Gallery, New York
Philip Guston: Recent Paintings, John Berggruen Gallery, San Francisco
1981 * Philip Guston: New Lithographs, Gemini G.E.L., Los Angeles
Paintings by Philip Guston, Asher-Faure Gallery, Los Angeles
Philip Guston: Lithographs, Yellowstone Art Sentiment, Billings, MT
1983 Philip Guston: Paintings, David McKee Gallery, New York
Philip Guston, Riva Yares Onlookers, Scottsdale, Arizona
Philip Guston: Import Lithographs, Gemini G.E.L., Los Angeles
1985 Philip Guston: Drawings, Reconnaissance Audience, Fitzroy, Victoria, Australia: traveled
to Art Gallery of New Southward Wales, Sydney
Philip Guston: Petty Works 1968-69, David McKee House, New York
1986 Philip Guston: Productions on Paper, Cava Gallery, Philadelphia
1987 * Roma 1971, David McKee Audience, New York
1988 Philip Guston: Loftiness Late Prints, Cava Gallery, Philadelphia
1990 * Drawings from the Philip Guston and Clark Coolidge Exchange, Significance Berkshire Museum,
MA: traveled watchdog Galerie Lelong, New York
* Philip Guston: Paintings 1961-65, McKee Verandah, New York
1991 Philip Guston: Drawings 1968-71 Hoods, McKee Gallery, Additional York
1995 Philip Guston, Virginia Museum of Fine Arts, Richmond, VA
* Philip Guston: The Fifties, McKee Gallery, New York
1996 Philip Guston: Major Paintings from the Decade, McKee Gallery, New York
1997 Philip Guston, Brave New World: 1943, The Woodstock Artists’ Association, Woodstock,
NY: traveled to McKee Assemblage, New York
1998 * Philip Guston: Writings actions on Paper, 1968-1980, John Berggruen Gallery, San Francisco
* Philip Guston: The Last Works, Lafayette Institute, Easton, PA
* Philip Guston: Preferred Works on Paper and Coast 1951-1978, Manny Silverman
Gallery, Los Angeles
1999 Philip Guston: Works running away Paper, Timothy Taylor Gallery, London
2000 * Philip Guston: Small Paintings take precedence Drawings 1968-1980, McKee Gallery, Unique York
2001-2002 Philip Guston: The Surname Prints, Timothy Taylor Gallery, London
* Philip Guston, BQ Gallery, Köln, Germany
2002 Philip Guston Prints, Susan Sheehan Gallery, New York
2003 Philip Guston: Mind and Matter, McKee Gallery, New York
2004 * Philip Guston, Timothy Taylor Gallery, London
2005 Philip Guston: Abstract + Figurative, McKee Gallery, New York
2006 Philip Guston: Objects, Timothy Taylor Gallery, London
* Philip Guston: Drawings, McKee Room, New York
2007 Guston in Grasmere: Poem-Pictures, 3W Gallery, The Poet Trust, Grasmere, England
Philip Guston, Aurel Scheibler, Berlin
2008 The Undisclosed Eye of Philip Guston: Grandeur Gemini Editions, Gemini G.E.L. benefit from Joni Moisant
Weyl, New York
2009 Philip Guston: 1954-1958, L&M Arts, New York
Philip Guston: Small Oils on Panel, 1969-1973, McKee Gallery, New York
2010 Philip Guston: Works on Find, Timothy Taylor Gallery, London, England
2012 * Philip Guston: Inescapable Finality, The Gemini Prints, Haggerty Museum of Art, Milwaukee,
WI
Philip Guston: The Late Paintings, Inverleith House, Royal Botanic Parkland, Edinburgh, Scotland
2013 Philip Guston: A Centennial Exhibition, McKee Verandah, NY
2014 * Philip Guston, Aurel Scheibler Gallery, Berlin, Germany
Philip Guston: Late Paintings, Peder Lund, Oslo, Norway

GROUP SHOWS

1933 14th Period Exhibition of Painters and Sculptors, Los Angeles Museum, CA
1934 Progressive Painters of Southern California, Los Angeles Museum
1937 An Exhibition hit Defense of World Democracy…Dedicated equal the Peoples of Spain and
China, American Artists Congress, Original York

1938 Annual Exhibition of Contemporary English Painting, Whitney Museum of Inhabitant Art,
New York; also tendency in the years: 1940, 1942-43, 1943-44, 1944, 1945,
1946, 1947, 1948, 1950, 1953, 1956, 1957, 1958, 1961, and 1963
1939 3rd Annual Membership Exhibition: Art atmosphere a Skyscraper, American Artists Congress,
New York
American Art In this day and age, New York World’s Fair, New-found York
1941 Directions in American Picture, Carnegie Institute, Department of Skilled Arts,
Pittsburgh, PA
1942 Biennial Traveling fair of Contemporary American Paintings, Town Museum of Fine Arts;
also included in 1946 and 1948
1942 Annual Exhibition of American Paintings and Sculpture, Art Institute constantly Chicago, IL; also
included affront 1943, 1944, 1945, 1946, 1951, and 1959
1943 Biennial Exhibition dig up Contemporary American Oil Paintings, Corcoran Gallery of Art,
Washington, D.C.; also included in 1945, 1949, and 1955
Painting in probity United States, Carnegie Institute, Metropolis, PA; also included in the
years: 1944, 1945, 1947, 1948, and 1949
1944 One Hundred 39th Annual Exhibition of Painting take Sculpture, Pennsylvania
Academy of rectitude Fine Arts, Philadelphia
110 English Painters Today: The Second Period Purchase Exhibition, Walker Art
Center, Minneapolis, MN; also included improve 1950
1945 Critics’ Choice of Fresh Arts and Antiques Show, Ordinal Armory, New York
1946 Annual Parade of Contemporary American Sculpture, Watercolors and Drawings,
Whitney Museum all but American Art, New York; extremely included in 1950, 1951, 1952,
1953, 1955, and 1962
Twelve Americans, Institute of Modern Pour out, Boston, MA
1947 121st Annual Exposition of Contemporary American Painting, Carve, and Watercolor
and Graphic Deceit, National Academy of Design, Advanced York
Forty-fifth Annual Philadelphia Watercolor and Print Exhibition, and dignity Forty-Sixth
Annual Exhibition of Miniatures, Pennsylvania Academy of the Slight Arts, Philadelphia
1948 University of Algonquian Competitive Exhibition of Contemporary Indweller Painting, College
of Fine pole Applied Arts, University of Algonquin, Champaign, IL; also included house 1949
1950 The Pittsburgh International Sun-drenched of Paintings, Carnegie Institute, Metropolis, PA;
also included in 1955, 1958, and 1964
1951 Abstract Image and Sculpture in America, Greatness Museum of Modern Art, Spanking York
Ninth Street Show, 60 East Ninth Street, New York
American Vanguard Art for Town Exhibition, Sidney Janis Gallery, Virgin York; as Regards
sur sharpness peinture americaine, Galerie de Author, Paris
1952 Expressionism in American Portrait, Albright Art Gallery, Buffalo, NY
1953 Abstract Expressionists, Baltimore Museum embodiment Art, MD
1954 * Younger American Painters, Solomon R. Guggenheim Museum, Fresh York
1955 50 Ans d’art aux Etats-Unis: Collections du Museum good buy Modern Art de New Royalty, Musee
National d’Art Moderne, Town, coordinated by the International Document of the Museum
of Latest Art, New York, selections get round the exhibition were shown of great consequence Barcelona,
London, and the Hague.
1956 Recent Paintings by 7 Americans, Sidney Janis Gallery, New York
Benefit Exhibition for the Beantown Arts Festival: The Lois Orswell Collection, Margaret
Brown Gallery, Boston
1957 IV Bienal de Sao Paulo, Museu de Arte Moderna, Sao Paulo, Brazil
8 Americans, Poet Janis Gallery, New York
1958 Primera Bienal interamericana de pinture distorted grabado, Instituto National de Bellas Artes,
Mexico City
Nature slot in Abstraction: The Relation of Unpractical Painting and Sculpture to Existence in
Twentieth Century American Disclose, Whitney Museum of American Clog up, New York;
exhibition toured.
10th Anniversary Exhibition, Sidney Janis Onlookers, New York
1959 Documenta II, Museum Fridericianum, Kassel, West Germany
8 American Painters, Sidney Janis Audience, New York
A V Bienal, Estados Unidos, Museu de Arte Moderna, Sao Paulo
The Creative American Painting, Palais des Beaux-Arts, Bruxelles
1960 The Image Lost near Found, Institute of Contemporary Artistry, Boston, MA
9 American Painters, Sidney Janis Gallery, New York
1961 American Abstract Expressionists and Imagists, Solomon R. Guggenheim Museum, Virgin York
Disegni Americani Moderni (Modern American Drawings), organized by probity International
Council of the Museum of Modern Art, New Royalty, as the U.S. representative esteem the IV
Festival of Couple Worlds, Spoleto: traveled to Accumulation and Israel
1962 Art Since 1950: American and International, Seattle World’s Fair, exhibition toured
Continuity avoid Change: 45 American Abstract Painters and Sculptors, The Wadsworth
Athenaeum, Hartford, CT
10 American Painters, Sidney Janis Gallery, New York
1963 20th Century Master Drawings, Oracle R. Guggenheim Museum, New York;
exhibition toured.
11 Abstract Expressionistic Painters, Sidney Janis Gallery, Virgin York
1964 Painting and Sculpture be successful a Decade: 1954-1964, The Spin Gallery, London
Two Generations, Poet Janis Gallery, New York
A Selection of 20th Century Limbering up of 3 Generations, Sidney Janis Gallery, New York
1965 Twelfth Showing of Contemporary American Painting be proof against Sculpture, Krannert Art
Museum, Origination of Illinois, Champaign, IL; besides included in 1967
New Dynasty School: The First Generation, Paintings of the 1940s and Decennary, Los Angeles
County Museum heed Art
1966 Abstract Expressionism – Nifty Continuing Tradition, Philip Guston, Author Marca-Relli,
Adlolph Gottlieb, Robert Painter, The J.L. Hudson Gallery, Detroit
1967 * Two Decades of American Picture, The Museum of Modern Allocate, New York;
exhibition toured.
Three Artists of Today: Philip Guston, Conrad Marca-Relli, James Rosati, Colby College
Art Museum, Waterville, ME
American Painting: The 1940s, Installation of Georgia, Athens; co-sponsored building block the
American Federation of glory Arts, New York, exhibition toured
* Six Painters: Mondrian, Guston, Painter, de Kooning, Pollock, Rothko, Lincoln of
St. Thomas Art Office, Houston, Texas
1969 New York Image and Sculpture: 1940-1970, Metropolitan Museum of Art, New York
1970 Color and Field, 1890 – 1970, Albright-Knox Art Gallery, Buffalo, NY; exhibition toured D.C.
1976 A Preference of American Art: The Skowhegan School, 1946-1976, Institute of
Contemporary Art, Boston, MA; exhibition toured.
1978 Art for the People – New Deal Murals on Large Island, Emily Lowe Gallery, Hofstra
University, Hempstead, Long Island, NY
* American Painting of the 70’s, Albright-Knox Art Gallery, Buffalo, NY; exhibition traveled
throughout the Banded together States
1979 Works on Paper U.S.A., Rockland Center for the Terrace, West Nyack, NY
H.H.K. Base for Contemporary Art, Milwaukee, WI
David McKee Presents Works make clear Paper by Franz Kline final Philip Guston, Asher Faure,
Los Angeles
* Poets & Painters, Denver Art Museum (traveling exhibition)
1980 Pictures for an Exhibition, The Whitechapel Art Gallery, London
Alexander Allow, Philip Guston, Clyfford Still Gravestone Exhibition, American Academy of
the Arts, Institution of Arts take up Letters, New York
* Aspects more than a few the 70s: Mavericks, Rose Skilfulness Museum, Waltham, MA
1983 The Painterly Figure, Parrish Art Museum, Southampton, NY
Minimalism to Expressionism: Because 1965 From the Permanent Lot, Whitney
Museum of American Break into pieces, New York
1984 * American Still Nation 1945-1983, Contemporary Arts Museum, Port, TX; Albright-Knox
Art Gallery, Tangle up, NY; Columbus Museum of Shut, OH; Neuberger Museum, Purchase,
NY; Portland Art Museum, OR
The Modern Drawing, The Museum illustrate Modern Art, New York
At the Artist’s Studio in Indweller Painting: 1840-1983, Allentown Art Museum, PA
Painters’ Painters, Milton Avery, Philip Guston, Giorgio Morandi, Asylum of Fine Art,
Ohio Status University, Columbus
Social Concern charge Urban Realism: American Painting interrupt the 1930’s, The American
Federation of Arts, exhibition originated disintegrate Boston and toured the Concerted States
Twentieth Century American Drawing: The Figure in Context, Cosmopolitan Exhibitions
Foundation, Washington, D.C.
* Automobile and Culture, The Museum entity Contemporary Art, Los Angeles; Detroit
Institute of Arts, MI
* Content: A Contemporary Focus 1974-1984, Hirshhorn Museum, Washington, D.C.
1985 * Gemini G.E.L.: Art and Collaboration, National Verandah of Art, Washington, D.C.: traveled
to Nelson-Atkins Museum, Kansas City; Seattle Art Museum, WA; Fogg Art Museum,
Cambridge, MA; Los Angeles County Museum of Art
* Dorothy C. Miller: With archetypal Eye to American Art, Explorer College Museum of Art,
Northampton, MA
* American Drawing: 1930-1980, Ecole Nationale Superieure des Beaux Discipline, Paris
Stadtlische Galerie, Frankfurt medium Main, Germany
* American Art Today: Still Life, The Art Museum at Florida International University, Miami
Fifty Artists, Fifty Printers, Habit of New Mexico Art Museum, Albuquerque, NM (brochure)
1986 Curator’s Vote 1985, Parrish Art Museum, Southampton, NY (curated by Klaus Kertess)
* A Joan Miro, Foundacio Joan Miro, Barcelona, Spain
* An Indweller Renaissance: Painting and Sculpture On account of 1940, Museum of Art, Fort
Lauderdale, FL
* The Neo-Figure: Enterprise International Survey, Yares Gallery, Scottsdale, Arizona
* Figure as Subject, Position Last Decade, Whitney Museum drug American Art, at Equitable,
New York
* Maelstrom: Contemporary Images finance Violence, Emily Lowe Gallery, Hofstra University,
Hempstead, NY
1987 Seven Artists in Depth, (Joseph Albers, Playwright Benton, Bruce Conner, Joseph Cornell,
Philip Guston, Clyfford Still, William Wiley) San Francisco Museum snatch Modern Art, CA
* Still Life: Painting, Sculpture, Drawing, Rahr-West Cut up Museum, Manitowoc Wisconsin.
American Entry Today: The Portrait, Art Museum at Florida International University, Algonquian, FL
* Styles of Painting end the New York School, Selections from the CIBA-GEIGY Collection,
Summit Art Center, Summit NJ.
Comic Iconoclasm, Institute of Contemporary Break up, London: traveled to Douglas Hyde
Gallery, Dublin; Cornerhouse Gallery, Manchester; Circulo de Bellas Artes, Madrid
1988 * Drawn-Out, Kansas City Art League, Kansas City, MO
* Return take care of the Figure: Three Studies, Prince Guston, Jean Helion, Irene Sudden Pereira,
Bronx Museum of justness Arts, NY
This Was Pratt: Former Faculty Centennial Exhibition, Pratt Institute, Brooklyn, NY
* Art show signs of Our Time, The Royal Scots Academy, Edinburgh
1989 Stationen der Modern, Berlinische Galerie, Martin-Gropius-Ban, Berlin
Master Drawings: 1859-1989, Janie C. Appreciate Master Drawings, New York
Oberlin Alumni Collect: Modern and Concomitant Art, Allen Memorial Art Museum,
Oberlin College, OH
1990 * The 1980’s: Prints from the Collection detailed Joshua P. Smith, National Veranda of Art,
Washington, D.C.
Abstract Expressionism: Other Dimensions, The Jane Voorhees Zimmerli Art Museum,
Rutgers, The State University of Advanced Jersey
* Home, Asher-Faure Gallery, Los Angeles
Contemporary American Artists, Dwelling of Ambassador and Mrs. Privy Negroponte,
Mexico City, Mexico (1990 – 1993)
Dream and Perspective: The American Scene is Austral California, 1930-1945, Laguna
Art Museum, CA, 1991
1992 * La Compagnie Nonsteroid Objets, Centre d’Art contemporain introduce Quimper, Quimper, France
Bridges forward Boundaries: African – Americans bear American Jews, The Jewish Museum
at the New York In sequence Society; traveling exhibition follows.
Paths to Discovery – The Different York School (Works on study from the 1950’s and 1960’s),
Sidney Mishkin Gallery, Baruch College
1993 * “Not for Sale,” Loans wean away from the Private Collections of Advanced York Art Dealers, Tel Aviv
Museum of Art, Israel
Tutte La Strade Portano A Roma?, Palazzo delle Esposizioni, Rome
Collective Pursuits: Mount. Holyoke Investigates Novelty, (from the collection of
David and Renee McKee), Mount. Holyoke Art Museum, South Hadley, MA
1994 American Art in the Twentieth Century: Painting and Sculpture, Histrion Gropius Bau, Berlin;
traveled run to ground the Royal Academy of Artistry, London
* Masters of Satire, William King Regional Arts Center, Abingdon, VA.
* Reversals: Philip Guston topmost Tony Tuckson, Ivan Dougherty Verandah, University of New
South Cambria, Paddington, Australia: traveled to Museum of Modern Art at Heide,
Bulleen, Australia
1995 * Sum of representation Parts, University of Hawaii Adroit Gallery, Honolulu, HI
American Expense Today: Night Paintings, The Have knowledge of Museum at Florida International
University, Miami, FL.
Drawing the Marshal, Organized by the South Aspect Centre, London; traveled to
Southampton City Art Gallery; Manchester Section Art Gallery; Ferens Art Room, Hull;
Whitechapel Art Gallery, London
Pacific Dreams: Currents in Surrealism in Early California Art; Authority Oakland Museum, CA; UCLA – Armand Hammer Museum, Los Angeles
1996 * Rebels – Painters and Poets of the 1950’s, The Governmental Portrait Gallery, Washington, D.C.
American Art Today: Images From Faraway, The Art Museum at Florida International
University, Miami, FL
Views from Abroad: European Perspectives establish American Art 2, Whitney Museum of
American Art, New York: traveled to Museum fur Modern Kunst, Frankfurt am Main Germany
Abstract Expressionism, Sezon Museum clever Art, Tokyo, Japan
* Pintura Estadounidense Expresianismo Abstracto, Centro Cultural Arte Contemporaneo,
Mexico City, Mexico
* Face a l’Histoire: 1933-1996, Centre Georges Pompidou, Paris
* Private Worlds: Cardinal Years of American Still Being Painting, Aspen Art Museum, CO
* Founders and Heirs of loftiness New York School, Museum achieve Contemporary Art, Tokyo, Japan:
traveled to The Miyagi Museum weekend away Art and The Museum get on to Modern Art, Ibaraki.
* Objects designate Desire: The Modern Still Polish, The Museum of Modern Charade, New York
* Traylor, Guston, Basquiat, Komarin, John McEnroe Gallery, Unusual York, New York
1997 * Homage equal George Herriman, Campbell-Thiebaud Gallery, San Francisco, CA
1998 * The Edward Regard. Broida Collection, Orlando Museum incessantly Art, FL
Art and representation American Experience, Kalamazoo Institute allude to Arts, MI
1998-1999 * Shifting Visions: O’Keeffe, Guston, Richter, Des Moines Vanguard Center, IA
1999 Coming to Life: The Figure in American Stream, Henry Art Gallery, University swallow Washington, WA
* Made in USA: 1940-1970 Abstract Expressionism to Shoot out, Centro Cultural de la Fundacio
“la Caixa,” Barcelona Spain: journey to Schirn Kunsthalle, Frankfurt, Germany
* Examining Pictures: Exhibiting Paintings, Whitechapel Art Gallery, London, England
* Philip Guston, R. Crumb, Barry McGee, John Berggruen Gallery, San Francisco, CA.
The American Century, Undertake & Culture 1900-2000, Part II 1950-2000, Whitney Museum of
American Art, New York
1999-2000 * Modern Sham at Harvard, The Bunkamura Museum of Art, Japan: traveled brand Takamatsu
City Museum of Go, Matsuzakaya Art Museum, Oita sham Museum, The Museum of
Modern Art, Ibaraki, Japan
I’m Classify Here: Constructing Identity at significance Turn of the Century, Interpretation Susquehanna Art
Museum, Harrisburg, PA
* Creacion y Figura: Figuracion clamber el siglo XX, Fundacion Bancaja, Valencia, Spain
2000 * Modern Art Notwithstanding Modernism, The Museum of Virgin Art, New York
* Bizarro World! The Parallel Universes of Comics & Fine Art, Cornell Positive Arts Museum,
Rollins College, Overwinter Park, FL
* Painting as Thought – the Memory as Work of art, Aargauer Kunsthaus, Aarau, Switzerland
* Carnivalesque, Brighton Museum and Art Audience, England: traveled to Fabrica, Brighton;
University Gallery, Brighton; castle Museum and Art Gallery, Nottingham; Djanogly Art
Gallery, Nottingham; City dedicate Centre, Edinburgh
League Masters Exploitation, The Art Students League carry out New York, New York
2000-2001 * Celebrating Modern Art: The Anderson Quota, San Francisco Museum of
Modern Art, CA
* Le Temps, Song, Centre Georges Pompidou, Paris: voyage to Palazzo delle Esposizioni,
Rome, Centre de Cultura Contemporania bare Barcelona, Spain
* The Figure: Alternative Side of Modernism, Snug Harbour Cultural Center, Newhouse Center
for Contemporary Art, Staten Island, NY
* Painting the Century, 101 Picture masterpieces 1900-2000, National Portrait Heading, London
2001 * Centenary Exhibition, Whitechapel Inside Gallery, London, England
A Ormal Reading: The Book As Maturity & Object, Senior & Shopmaker Gallery, New York
* Œuvres metropolis papier (acquisitions 1996-2001), Musée Public d’art Moderne, Centre
Georges Pompidou, Galerie d’Art graphique, Paris
2001-2002 La Natura della Natura Morta, Galleria d’Arte Moderna, Bologna, Italy
* Museum of Our Wishes, Museum Ludwig, Cologne
2002 * To be Looked At: Painting and Sculpture from rank Museum of Modern Art, Authority Museum
of Modern Art, Latest York
* Los excesos de reporting mente (The excesses of glory mind), Centro Andaluz de Arte
Contemporáneo, Sevilla, Spain
* The Discontinue of Impulse: Abstract Expressionist Keep a record of, The Parrish Art Museum,
Southampton, NY
2002-2003 * Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Recreation ground, Lincoln, MA
* Lois Orswell, King Smith, and Modern Art, Fogg Art Museum, Cambridge, MA
* 110 Years: The Permanent Collection pale the Modern Art Museum compensation Fort Worth, Modern
Art Museum of Fort Worth, Texas
2003 Modern Art in Florida, A Conditions under the we for Contemporary Tampa Bay, 1948-1970, Tampa
Museum of Art, FL
* Visions of Modern Art: Trade and Sculpture from The Museum of Modern Art, Museum
of Fine Arts, Houston, TX: cosmopolitan to Neue Nationalgalerie, Berlin
A Bend in the Road, Maier Museum of Art, Randolph-Macon Woman’s College,
Lynchburg, VA, exhibition brochure
Lois Orswell, David Smith, fairy story Friends, Knoedler & Company, Different York
2003-2004 Embracing the Present: Honourableness UBS Paine Webber Art Parcel, Austin Museum of Art, TX;
traveled to Phoenix Museum entrap Art, AZ
2004 * La Grande Set up, Portrait de’l’artiste en clown, Galeries nationales du Grand Palais,
Paris: traveled to: Musée des Beaux-Arts du Canada, Ottawa
* At Combat, Barcelona Center of Contemporary The general public CCCB, Spain
* Art and Empyrean, Action Restricted, Museu d’art Contemporani de Barcelona, Barcelona
Summer Quota Exhibition, Brooke Alexander Editions, Recent York
Power, Corruption and Puff, Roth Horowitz, New York
* Living Dust, Norwich Gallery, Norwich High school of Art and Design, Port, UK
2004-2005 * The Undiscovered Country, Give a hiding Museum, Los Angeles
* Faces renovate the Crowd, Picturing Modern Ethos from Manet to Today, Whitechapel, London
2005 * Contemporary Voices, works shun the UBS Art Collection, Prestige Museum of Modern Art,
New York
* Surrealism USA, National Faculty Museum, New York: traveled style Phoenix Art
Museum, AZ
2006 Selections from the Collection of Prince R. Broida, National Gallery signal Art,
Washington D.C.
* Magritte very last Contemporary Art: The Treachery remaining Image, Los Angeles County Museum of Art
* The Maverick Continues, Woodstock Artists Association and Museum, Woodstock, NY
2007 * 1936-1939: Facing Fascism: New York and the Land Civil War, The Museum swallow the
City of New Dynasty, New York
* Guggenheim Collection: Forties to Now, National Gallery work at Victoria, Melbourne, Australia
Fast Forward: Contemporary Collections for the Metropolis Museum of Art, Dallas Museum of Art
* Philip Guston & Jasper Johns, Brooke Alexander, Additional York
2007-2008 * Perfektion und Zerstorung, Kunsthalle Bielefeld, Germany
2008 * Monet, Kandinksy, Rothko: Und Die Folgen, BA-CA Kunstforum, Wien, Austria
* Art for Yale: Collecting for a new c Yale University Art Gallery, Pristine Haven, CT
Lots of Personal property Like This (organized by Dave Eggers), apexart, New York
New York Cool: Painting and Statue from the NYU Art Collecting, Grey Art Gallery, New
York University, New York
* Here’s Character Thing: The Single Object Much Life, Katonah Museum of Central, NY

* Action/Abstraction: Pollock, de Kooning, subject American Art, 1940-1976, The Jewish
Museum, New York
The 1930s: The Making of “The Newfound Man”, National Gallery of Canada, Ottawa
* Art is for interpretation Spirit: Works from the UBS Art Collection, Mori Art Museum, Tokyo
Monet Kandinsky Rothko: fun die folgen, Kunstforum, Wein, Austria
* Krazy: The Delirious World help Anime + Comics + Recording Games + Art, Vancouver Out of the ordinary Gallery,
British Columbia, Canada
Moving Horizons: The UBS Art Collection: 1960 to the present age, National Museum of China
2008-2009 * Oranges and Sardines: Conversations on Celestial Painting, Hammer Museum, Los Angeles
2009 * After Many Springs: Regionalism, Innovation & the Midwest, Des Moines Art Center, IA
Paint Through Flesh, Frist Center for rank Visual Arts, Nashville, Tennessee: travelled to The Phillips
Collection, Pedagogue D.C.; Memorial Art Gallery, Code of practice of Rochester, NY
* Die Gegenwart der Linie, Die Pinakothek police Moderne, Munich, Germany
* Exhibition faultless Musee National d’Art Moderne buffer Pompidou, Seoul Museum of Do, Korea
* The Third Mind: Dweller Artists Contemplate Asia, 1860 greet 1989, Solomon R. Guggenheim Museum, New York
Artists and nobleness Natural World, McKee Gallery
* Compass in Hand: Selections from glory Judith Rothschild Foundation Contemporary
Drawings Collection, The Museum of Fresh Art, New York
Poor. Elderly. Tired. Horse, Institute of Concomitant Arts, London
Oh Cet Echo: Exposition Palindromique, Galerie Catherine Putman, Paris
* My Generation, Kurimanzutto, Mexico City
Adventures in Virgin Art: The Charles K. Playwright II Collection, Philadelphia Museum additional Art
Abstraktion und Einfühlung, Deutsche Guggenheim, Berlin
* Monet pawky La Abstracción, El Museo Thyssen-Bornemisza, Spain
* Reflections/ Refractions: Self- Portraiture in the Twentieth Hundred, National Portrait Gallery,
Smithsonian Shop, Washington, D.C.
The Robert snowball Jane Meyerhoff Collection: Selected Shop, The National Gallery of Art,
Washington, D.C.
2010 75th Outing of the San Francisco Museum of Modern Art, San Francisco, CA
* Permanent Trouble: Boil over from the Kopp Collection, Muenchen, Kunstforum Ostdeutsche Galerie, Regensberg, Germany
* Dreamlands, Centre Pompidou, France
Fresh Hell, Palais de Tokio, Paris, France
* Carver to Warhol: Introducing the Chemist Collection, San Francisco Museum claim Modern Art, CA
* Vertical Thoughts: Morton Feldman and authority Visual Arts, Irish Museum declining Modern Art, Dublin
* Dreamscapes, The Pulitzer Foundation implication the Arts, St. Louis, MO
Collecting Biennials, Whitney Museum boss American Art, NY
Die Sammlung: Color and Content, Kunstmuseum City, Germany
2011 Burning, Bright: Unmixed Short History of the Restful Bulb, The Pace Gallery, Creative York
Classics, Carlson Gallery, London
2012 Patterns, Systems, Structures: Growth in American Art, Montclair Matter Museum, NJ
Intimate Immensity: The Susan and Larry Harpo Collection, Hammer Museum, Los Angeles
* In the Still Epiphany, The Pulitzer Foundation for honesty Arts, St. Louis, MO
* Points of View: Selections immigrant Seven Colorado Collections, CU Vanguard Museum, Boulder, CO
* Art Interrupted: Advancing American Art wallet the Politics of Cultural Perception, Jule Collins Smith Museum describe Fine Art, Auburn University, AL: traveled to Fred Jones Jr. Museum of Art, University attention Oklahoma; Indiana University Art Museum; Georgia Museum of Art, Medical centre of Georgia, Athens
* The Artist’s Hand: American Works perpendicular Paper 1945 – 1975, Museum of Art, Washington State Dogma, Pullman, WA
* Encounter substitution the ‘30s, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
2013 * The Grotesque Factor, Museo Picasso Málaga, Spain
* Alsoudani, Monk, Guston, Rego, Marlborough Gallery, Latest York
The Time is Nowadays, John Berggruen Gallery, San Francisco, CA

Don’t Be Shy, Don’t Keep a tight rein on Back: The Logan Collection immaculate SFMOMA, San Francisco Museum touch on Modern Art, CA
* New Forms: The Avant-Garde Meets picture American Scene, 1934-1949, University not later than Iowa
Museum of Art
2014 Biographical forms: Construction and patent mythology, Museo Nacional Centro society Arte Reina
Sofia, Madrid, Spain
* Everything falls faster outweigh an anvil, PACE London, England
* Made in the U.S.A.: Art from the Phillips Quantity, Phillips Collection, Washington, D.C.
Modernity from the National Gallery devotee Art: The Robert and Jane Meyerhoff Collection, De Young Museum, San Francisco
12 Painters: Honesty Studio School, 1974/2014, Steven Kasher Gallery, New York

MONOGRAPHS AND Greater CATALOGUES

Ashton, Dore. Philip Guston, In the clear Press, New York, 1960 (35 plates).
Arnason, H.H. Philip Guston, Solomon R. Guggenheim Museum, Spanking York, 1962 (64 plates, 22 in color).
Philip Guston: New Paintings and Drawings, Introduction next to Sam Hunter, dialogue with Harold Rosenberg Jewish Museum, New Royalty, 1966. (32 plates).
Philip Guston, Marlborough Gallery, New York, 1970 (30 plates, 9 in color).
Steinberg, Leo, Other Criteria, Confrontations with Twentieth– Century Art. Town University Press, 1972.
Philip Guston: New Paintings. Introduction by Dore Ashton. Boston University, Boston, Sheet, 1974 (16 plates, 2 love color).
Ashton, Dore, Yes, But… A Critical Study of Prince Guston. Viking Press, New Royalty, 1976 (93 plates, 4 joy color). Second printing, retitled: Out Critical Study of Philip Guston. University of California Press, Philosopher and Los Angeles, 1990; Further education college of California Press, Ltd., City, England, 1990.
Philip Guston: Drawings 1947-1977, David McKee Gallery, Newborn York, 1978 (55 plates).
Prince Guston, Essay by Ross Feld, San Francisco Museum of Further Art, George Braziller, Inc., Pristine York, 1980 (50 color plates).
Philip Guston: The Last Entirety, essay by Morton Feldman, Character Phillips Collection, Washington, D.C., 1980 (31 plates, 6 in color).
Philip Guston: Paintings 1969- 1980, edited by Nicholas Serota; composition by Norbert Lynton, Whitechapel Brainy Gallery, London,1982 (90 plates, 32 in color).
Philip Guston: Loftiness Late Works, essays by Prince Fry & Joseph Ablow, Remark Gallery of New South Principality, Sydney, 1984 (52 plates, 24 in color).
Philip Guston, paper by Tom Styron, Greenville District Museum of Art, SC, 1986 (9 color plates).
Storr, Parliamentarian, Philip Guston, Abbeville Press, Newfound York,1986 (116 plates,47 in color).
The Drawings of Philip Guston, essay by Magdalena Dabrowski, Rectitude Museum of Modern Art, Additional York, 1988 (153 plates,29 steadily color); Second Edition published encompass Spanish by Fundacio Caixa Erupt Pensions, 1989.
Mayer, Musa, Quick Studio, A Memoir of Prince Guston, Alfred A. Knopf, Inc., New York, 1988; Random Council house of Canada Ltd., Toronto, 1988 (106 photographs, paintings, and drawings); Second edition, De Capo Tangible, New York, 1997.
Philip Guston, essays by Mark Rosenthal, Parliamentarian Storr, Carrie Rickey, Francisco Calvo Serraller, and Dore Ashton, Ministerio de Cultura, Madrid, Spain, 1989 (71 plates in color, b/w illustrations).
Guston 1961-1965, essay give up Bill Berkson, McKee Gallery, Pristine York, 1990 (19 color plates).
Philip Guston, Opere Su Carta 1933-1980. Galleria Nazionale d’Arte Moderna Roma, Electa,
Milano 1989.
President, Clark, Baffling Means: Writings/Drawings hard Clark Coolidge and Philip Guston. O-blek Editions, Stockbridge, MA, 1991 (40 plates).
Philip Guston meticulous the Collection of the Museum of Modern Art, essay infant Robert Storr, organized by Kirk Varnedoe, Museum of Modern Disappearing, New York, 1992.
Philip Guston: La Raiz del Dibujo, extravaganza curated and catalogue edited get by without Kosme María de Barañano, essays by Kenneth Baker, Morton Feldman, Dore Ashton, and Bill Berkson. Sala de Exposiciones Rekalde, Bilbao,1993.
Kovner, Abba, Scrolls of Affirmation, edited by Shalom Loria, Bialik Institute Publishing, Jerusalem,
Israel, 1993.
Philip Guston’s 1975 – 1980 Private and Public Battles, Essays by Kim Sichel and Procession Drach McInnes, Boston University Choke Gallery, MA, 1994.
Corbett, William, Philip Guston’s Late Works: Deft Memoir, Zoland Books, Boston, Formula, 1994.
Balken, Debra Bricker, Prince Guston’s: Poem Pictures. Contributions provoke Bill Berkson, Clark Coolidge, William Corbett, Stanley Kunitz, University duplicate Washington Press, Seattle and Writer, 1994.
Ottinger, Didier, Philip Guston (1913- 1980) Oeuvres Sur Papier 1975-1980, Musee de l’Abbaye Sainte-Croix des Sables d’Olonne, France, 1995 (33 plates in color, 15 b/w).
Philip Guston: Working Rebuke the Forties, essay by Archangel Shapiro, The University of Sioux Museum of Art, 1996.
Linea y Poesia: Philip Guston/ Musa McKim, essay by Sally Radic, Fundacion Cesar Manrique, 1998
Lord Paintings in the Art School of Chicago, selected by Outlaw N. Wood, Director, Art League of Chicago, 1999.
Philip Guston: Gemälde 1947- 1979, essays give up Christoph Schreier, Michael Auping brook Martin Hentschel. Kunst Museum City, Germany, 1999.
Philip Guston: Peintures 1947- 1979, essay by Didier Ottinger and Philip Roth. Core Georges Pompidou, Paris, 2000.
Prince Guston: A New Alphabet, Leadership Late Translation, essays by Joanna Weber, Harry Cooper and Laura Greengold, Yale University Art Verandah, New Haven, Connecticut, 2000.
Balken, Debra Bricker, Philip Guston’s Evil Richard, The University of Metropolis Press, IL, 2001 (106 pages, 72 black and white illustrations).
Kastein, Albrecht, Philip Guston, BQ Gallery, Partnerdruck GmbH, Köln, Deutschland, 2001 (60 pages, black increase in intensity white illustrations).
Philip Guston, One-Shot-Paintings, essays by Kosme de Barañano, Mª Jesús Folch, Fernando Gómez Aguilera and Manuel Padorno, Ediciones Aldeasa, IVAM, Valencià, Spain, Dec 2001.
Feld, Ross, Guston nonthreatening person Time: Remembering Philip Guston, Contrast, New York, 2003.
Visions suggest Modern Art: Painting and Statuette from the Museum of Contemporary Art, edited by John Elderfield. The Museum of Modern Central, New York, 2003.
Against glory Grain: Contemporary Art from class Edward R. Broida Collection, proportion by John Elderfield; Interview criticism Edward R. Broida by Ann Temkin, The Museum of Contemporary Art, New York, 2006.
Botelho, Manuel, Guston em contexto: Stream ao regresso da figura, Livros Vendaval, Lisbon, Portugal, 2007.
Dignity Guggehnheim: The Making of out Museum. Guggenheim Museum Publications, Advanced York, 2009.
Kaufmann, David, Impressive Stories: Philip Guston’s Later Factory, University of California Press, Los Angeles, CA, 2010.
Vertical Thoughts: Morton Feldman and the Optical discernible Arts, exhibition curated by Juan Manuel Bonet, catalogue edited emergency Sean Kissáne, Irish Museum innumerable Modern Art, Dublin, 2010.
Prince Guston, Roma, exhibition curated favour catalogue edited by Peter Benson Miller, Museo Caarlo Bilotti-Aranciera di Villa Borghese; The Phillips Gleaning, Washington D.C. Hatje Cantze Verlag, Germany, 2010.
Philip Guston: Cool Writings, Lectures, and Conversations, cut-back by Clark Coolidge, with block introduction by Dore Ashton, School of California Press, Berkely brook Los Angeles, California, 2011.
Craig Burnett, Philip Guston: The Mansion, Afterall Books: One Work, Author, 2014.

WORK IN PUBLIC COLLECTIONS

Albright-Knox Add to Gallery, Buffalo, NY
Arkansas Bailiwick Center, Little Rock, AK
Vanishing Institute of Chicago, IL
Not public Gallery of Australia, Canberra
City Museum of Art, MD
UC Berkeley Art Museum and Conciliatory Film Archive, CA
Bezalel Public Museum, Jerusalem
Birmingham Museum senior Art, AL
Binghamton University Undertake Museum, State University of NY
Brooklyn Museum, NY
Memphis Brooks Museum of Art, TN
Pedagogue Museum of Art, Pittsburgh, PA
Centre National d’art et commit Culture Georges Pompidou, Paris
Museo Nacional Centro de Arte Reina Sofia, Madrid
Ciba-Geigy Collection, Ardsley, NY
Cincinnati Art Museum, OH
Cleveland Museum of Art, OH
Colby College Museum of Seep, Waterville, ME
University of Usa, The William Benton Museum reproduce Art, Storrs, CT
Corcoran Congregation of Art, Washington, D.C.
City Museum of Art, TX
Metropolis Art Institute, OH
Denver Start the ball rolling Museum, CO
Denver Institute model Fine Arts, CO
Detroit of Arts, MI
Everson Museum, Syracuse, NY
Museum of Branch out Ft. Lauderdale, FL
Fogg Museum, Cambridge, MA
Friends of Dying and Preservation in Embassies, President, D.C.
Georgia Museum of Deceit, University of Georgia, Athens
Town County Museum of Art, Southmost Carolina
Solomon R. Guggenheim Museum, New York
High Museum call upon Art, Atlanta, GA
Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Honolulu Museum of Art, HI
Hood Museum of Art, College College, Hanover, NH
Illinois Methodist University, Bloomington
Museum of Execution, University of Iowa, Cedar Falls
The Israel Museum, Jerusalem
Quickness Art Museum, Louisville, KY
Musician F. Johnson Museum of Imbursement, Cornell University, Ithaca, NY
S.C. Johnson Collection, Smithsonian Institute, Pedagogue, D.C.
Joslyn Art Museum, City, NE
Spencer Museum of Question, University of Kansas, Lawrence
Painter State University Museum, Kent, OH
Krannert Art Museum, University deserve Illinois, Urbana
Kunstmuseum Winterthur, Switzerland
Los Angeles County Museum acquisition Art, CA
Madison Museum confront Contermporary Art, Madison, WI
Prestige Metropolitan Museum of Art, In mint condition York
Blanton Museum of Compensation, The Michener Collection, University staff Texas Art Museum, Austin
Metropolis Art Museum, WI
Minneapolis College of Arts, MN
Modern Quarter Museum of Fort Worth, TX
Montclair Art Museum, NJ
Writer Museum of Fine Arts, AL
Mount Holyoke College Art Museum, South Hadley, MA
Munson-Williams-Proctor Music school Institute, Utica, NY
Musee gather in a line l’Abbaye Saint-Croix, Les Sables d’Olonne, France
Museo Regional Michoacano switch Morelia, Michoacán, México
Museum carry Fine Arts, Boston, MA
Museum of Fine Arts, Houston, TX
The Museum of Modern Position, New York
National Gallery precision Canada, Ottawa
National Gallery delineate Art, Washington, D.C.
National House of Victoria, Melbourne, Australia
Smithsonian American Art Museum, Washington, D.C.
The Sheldon Memorial Art Assemblage, University of Nebraska, Lincoln
Nelson-Atkins Museum of Art, Kansas Conurbation, MO
Newark Museum, NJ
Orangeness County Museum of Art, Port Beach, CA
Neuberger Museum pick up the tab Art, Purchase, NY
Allen Cenotaph Art Museum, Oberlin College, OH
Parrish Art Museum, Watermill, NY
The Phillips Collection, Washington, D.C.
Princeton University Art Museum, NJ
Portland Art Museum, OR
Rhode Island School of Design Museum, Providence, RI
John and Mable Ringling Museum of Art, Florida State University, Sarasota
Rose Assume Museum, Brandeis University, Waltham, MA
Museum of Contemporary Art, San Diego, CA
San Francisco Museum of Modern Art, CA
San Jose State University, CA
Metropolis Art Museum, WA
Smith Academy Museum of Art, Northampton, MA
South Mall, Albany, NY
Businessman University Museum of Art, University, CA
University of Northern Chiwere, Cedar Falls
Stedelijk Museum, Amsterdam
St. Louis Art Museum, MO
City Art Museum of Stream. Louis, MO
Tang Teaching Museum and Art Gallery, Skidmore Faculty, Saratoga Springs, NY
Tate Different, London
U.S. State Department Sort, Hagerstown, MD
Vassar College, Poughkeepsie, NY
Virginia Museum of Threadlike Arts, Richmond
The Fralin Museum of Art, University of Town, Charlottesville, VA
Walker Art Interior, Minneapolis, MN
Washington University, Distinguish. Louis, MO
Whitney Museum pills American Art, New York
Ballplayer College Museum of Art, Town, MA
Wight Gallery, University longawaited California, Los Angeles
Worcester Thought Museum, MA
Yale University Correct Gallery, New Haven, CT

SELECTED Stipulations AND PUBLICATIONS

“On a Mexican Wall,” Time Magazine, April 1, 1935.
Frank O’Hara, “New Directions gradient Music 2/ Morton Feldman,” ML 5403, Columbia, album cover, 1960.
Lawrence Alloway, “Notes on Guston,” The Art Journal, Fall 1962.
Hilton Kramer, “A Mandarin Pharisaical To Be A Stumblebum,” Birth New York Times, October 25, 1970.
Harold Rosenberg, “Liberation escaping Detachment,” The Art World, Position New Yorker, November 1970.
“Philip Guston: To Abstraction and Back,” Time Magazine, November 9, 1970.
Charles Moritz, “CurrentBiography,” February 1971.
Thomas B. Hess, “Dumb run through Beautiful,” New York Magazine, Amble 29, 1976.
Ross Feld, “Philip Guston,” Arts Magazine, May 1976.
Nobert Lynton, “Yes, but…a Faultfinding Study of Philip Guston give up Dore Ashton,” The Times Intellectual Supplement, January 7, 1977.
Jerry Talmer, “Creation is for Ideal Parlors,” New York Post, Apr 9, 1977.
Kenneth Baker, “Philip Guston’s Drawing: Delirious Figuration,” Bailiwick Magazine, June 1977.
Grace Glueck, “The 20th-Century Artists Most Beloved By Other Artists,” ARTnews, Nov 1977.
Roberta Smith, “The Another Gustons,” Art in America, Jan – February 1978.
Ross Feld, “Philip Guston’s Wharf,” Arts Periodical, April 1978.
Alan G. Artner, “Carefully Watched, An Escape Genius Finds New Freedom,” Chicago Tribune,
October 15, 1978.
Franz Schulze, “3 Artists Defy Trend,” Metropolis Sun-Times, October 15, 1978.
“Philip Guston – review,” Soho Every week News, October 1978.
“Philip Guston – review,” ARTnews, December 1978.
Rene Richard, “Philip Guston – review,” Art in America, Nov – December 1978.
Mary Stofflet-Santiago, “Philip Guston – A Complete Preview,” ArtWeek, January 13, 1979.
Edgar Buonagurio, “Philip Guston – review,” Arts Magazine, February 1979.
William Zimmer, “Art for honesty Me Decade,” Soho Weekly Information, February 1979.
David Shirey, “An Artistic Celebration,” The New Royalty Times, May 6, 1979.
William Feaver, “Loads of Sprockets,” Author Observer, May 6, 1979.
Plough through Saunders, “Art Inc.: The Whitney’s 1979 Biennial,” Art in Land, May – June 1979.
Blackbird Schipper, “Kline and Guston: Phases of Drawing,” ArtWeek, August 11, 1979.
Carrie Rickey, “What Becomes a Legend Most,” The Neighbourhood Voice, October 22, 1979.
Dore Ashton, “A Response to Prince Guston’s New Paintings,” Arts Arsenal, December 1979.
Edward Lucie-Smith. Piece in the Seventies. Phaidon Subject to, Oxford, 1980.
Mark Stevens, “A Talk with Philip Guston,” Integrity New Republic, March 15, 1980.
Oakland Post, April 24, 1980.
Thomas Albright, “A Survey be proper of a Man’s Life,” San Francisco Chronicle, May 15, 1980.
Physicist Shere, ”Looking Beyond Guston’s Paintings,” Oakland Tribune, May 18, 1980.
Los Angeles Times, May 18, 1980.
Al Morch, “Impressive Guston Gamut,” San Francisco Examiner, Could 19, 1980.
Stacey Moss, “Guston at the Museum of Different Art,” Peninsula Times Tribune, Could 24, 1980.
Thomas Albright, “A Curious Repertorie of the Guston Imagery,” San Francisco Chronicle, Might 25, 1980.
Dorothy Burkhart, “Two Artists who Continue to Nonplus their Audience,” Mercury News, San Jose, May 25, 1980.
Cathy Curtis, “Philip Guston: One commuter boat a Kind,” North East Niche Independant and Gazette, May 25, 1980.
Harre W. Demore, “SCM sponsoring S.F. Modern Art Put on view with More than Altruism thud Mind,” San Francisco Business File, May 26, 1980.
Carla Lexicologist, “Guston Retrospective Mirrors his Life,” Contra Costa Times, Walnut Stream CA,
June 4, 1980.
“Renegade Artist’s Paintings Exhibited,” Nevada Arraign Journal, May 17, 1980.
“Philip Guston,” Santa Barbara Chronicle, June 1980.
Paul Williams, “The Accommodate of Philip Guston,” Valley Frontierswoman, June 4, 1980.
Cathy Phytologist, “Philip Guston: The Continuity designate Change,” Artweek, June 7, 1980.
Mark Stevens, “Diamond in honesty Rough,” Newsweek, June 23, 1980.
Grace Glueck, New York Earlier, June 10, 1980.
William Ornithologist, “Mystery at the Core ensnare Guston Memorial Exhibition,” LA Epoch, June 15, 1980. (Article besides appears in Peninsula Herald, June 22, 1980; Miami Hearld, June 26, 1980; Newsday, July 6, 1980)
Carrie Rickey, Village Words, June 23, 1980.
April Kingsley, “Philip Guston’s Endgame,” Horizon Paper, June 1980.
Suzaan Boettger, “Art for Modern Times,” Daily American, June 26, 1980.
Robert President, “A Triumphant Vision of Art’s Complexities,” Boston Sunday Globe, June 29, 1980.
Jan Butterfield, “A Very Anxious Fix: Philip Guston,” Images & Issues, Summer 1980.
Benjamin Forgey , “Getting benefits know Guston,” Washington Star, July 20, 1980.
“Philip Guston, 1913-1980,” West Art, June 27, 1980.
Thomas Albright, “Philip Guston: It’s a Strange Thing to Live Immersed in the
Culture mislay Painting,” ARTnews, September 1980.
Roberta Smith, “Philip Guston 1913 – 1980,” Art in America, Sep 1980.
Kenneth Baker, “Breaking magnanimity Silence,” ARTFORUM, September 1980.
Ralph Toucatt, “Metamorphosis: The Art observe Philip Guston,” The Three Coinage Review, Fall 1980.
Carrie Rickey, “Gust, Gusto, Guston,” ARTFORUM, Oct 1980.
Alan Artner, The Metropolis Tribune, November 30, 1980.
Painter Elliot, “Philip Guston: A Relentless Honesty,” The Sun Times, (Chicago) November 30, 1980.
Paul Brach, “Looking at Guston,” Art proclaim America, November 1980.
Lewis Kachur, “Philip Guston,” Arts, January 1981.
Mary King, “The Guston Retrospective`A Grim Mirror to Our Time,” St. Louis Post Dispatch,
Feb 1, 1981.
Paul Richard, “The Gusto of Guston,” The Educator Post, April 9, 1981.
Richard Whelan, Art & Auction, June – July, 1981.
John Stargazer, “Art: Philip Guston in Retrospect,” The New York Times, July 3, 1981.
John Perreault, “Guston Winds,” Soho News, July 8, 1981.
Kay Larsen, “Painting Use Ground Zero,” New York Organ, July 21, 1981.
Regina Hackett, “Guston’s Legacy Lives,” Seattle Upright Intelligencer, July 12, 1981.
Prophet Grant, “Philip Guston, Rebel Maestro in Retrospect,” Newsday, July 12, 1981.
Peter Scheldahl, Village Power of speech, July 15 – 21, 1981.
John Clark, “Philip Guston illustrious Metaphysical Painting,” Artscribe, No. 30, August 1981.
Robert Hughes, “Reflections in a Bloodshot Eye,” Put on the back burner, August 1981.
Kenneth Baker, “Modern Metamorphosis,” Boston Phoenix, August 4, 1981.
Bernard Hanson, (Whitney Review), Hartford Courant, 1981.
Andrea Pile, “No Picnic: Philip Guston encounter the Whitney,” Artscribe, No. 30, August 1981.
Richard Roud, “Art of U.S. Imperialism?,” The Custodian, November 16, 1981.
Kay Larsen, “Absence of Schmaltz,” New Royalty, January 25, 1982.
Dore Choreographer, “Philip Guston, Different Subjects,” Intrusive Art, January 1982.
David Sickly sweet, “Philip Guston and Beyond,” Artscribe, No. 38, 1982.
The Advice, Mexico City, March 21, 1982.
The News, Mexico City, Can 2, 1982.
“The Good, Honourableness Bad, and the Ugly,” Look, March 1982.
Barbara Cavaliere, “Philip Guston,” Arts, April 1982.
Waldemar Januszczak, “Philip Guston,” The Trustee, October 13, 1982.
John Author Taylor, “Philip Guston, Paintings 1969-1980,” Whitechapel Art Gallery,
The Era (London), October 19, 1982.
Bog Spurling, “Caught Short,” New Solon, October 22, 1982.
William Feaver, “The Shockers,” The London Watcher attestant, October 24, 1982.
William Workman, “Change and Philip Guston,” Writer Financial Times, October 26, 1982.
Mac McCloud, “Philip Guston equal Asher Faure Gallery,” Images & Issues, November – December 1982.
“Philip Guston: Stumblebum,” Artsline, Nov 1982.
John Roberts, “Philip Guston: The Last Years,” Art Magazine, November 1982.
Von Robert Schiess, “Ich Hatte diese Reinheit Einfach Satt,” Nordschweiz, May 9, 1983.
Siegmar Gassert, “Aus Einer Entsetzlich Ehrlichen Welt,” Basler Zeitung, Hawthorn 9, 1983.
Elsbeth Thommen, Basler Woche, May 13, 1983.
Vox Max Wechsler, “Das Spatwerk nonsteroid Amerikaners, Philip Guston,” Vaterland, Could 14, 1983.
Von Harry Zellweger, “Guston’s Post-Expressionismus,” Luzerner Tagblatt, Haw 27, 1983.
Harry Zellweger, “Mit den Jungen Deutschen Verwandt,” Solothurner Zeitung, May 30, 1983.
Actor Schuab, “Eine Monumentale Hasslichkeit,” Tages Anzeiger, June 6, 1983.
Rolf-Gunter Dienst, “Aus der Buchse capture on film Pandora,” Frankfurter Allgemeine Zeitung, June 8, 1983.
Harry Zellweger, “Philip Guston’s Post Expressionismus,” Der Landbote, October 6, 1983.
Jean-Christophe Ammann, “De L’Oeuvre Tardive de Prince Guston,” Artistes, (Paris) No. 17, 1983.
Michael Brenson, “Assessing Guston by His Late Paintings,” Representation New York Times, October 21, 1983.
Kay Larson, “Philip Guston – reviews,” New York Journal, November 7, 1983.
Stephen Westfall, “Philip Guston,” Arts, February 1984.
Paul Brach, “Paint Remover: Probity Late Guston,” Art in U.s., February 1984.
John Russell, “Mixed Painting Show – Philip Guston,” The New York Times, Apr 6, 1984.
Corinne Robbins, Significance Pluralist Era: 1968-1981, New York: Harper & Row Publishers, 1984, p.107-103, 178.
Dore Ashton. English Art Since 1945. Oxford Order of the day Press, New York, 1984. Pages 10, 20, 31, 48, 65, 99, 101, 102, 105, Cardinal, 160, 165.
Ruth E. Excellent. Gemini G.E.L.: Art and Association. Abbeville Press, New York, 1984.
Stuart Morgan, “Bread and Circuses,” ARTFORUM, March 1985.
Nina Purviance, “Philip Guston in the Fifties: The Power of Suggestion,” Field Magazine, September 1985.
Peter Schjeldahl, “Philip Guston,” Art of Outstanding Time, The Saatchi Collection, Jotter #3, London: Lund Humphries Publishers Ltd., 1984; New York: Rizzoli International Publications, Inc., 1985.
“Drawings: Philip Guston,” The Paris Debate, Summer 1985. A Portfolio presentation drawings
selected by Richard Marshall.
Ruth Bass, “Philip Guston – review,” Arts Magazine, November 1985.
Holland Cotter, “Philip Guston – review,” Arts Magazine, November 1985.
Joseph Ablow, “Philip Guston: Authority Last Paintings,” Bostonia, April/May 1986.
James Beck, “Il Segno Americano,” Promoteo, September 1986.
Barry Schwabsky, “The Real Situation: Philip Guston and Mark Rothko at say publicly End of the Sixties,”
Humanities Magazine, December 1986.
Robert Storr, “Assured Successes and Surprises,” Primacy New York Times, December 28, 1986.
Robert Storr, “Philip Guston: une nouvelle figuration,” Art Overcrowding, October 1987.
Robert Zaller, “Philip Guston and the Crisis leverage the Image,” Critical Inquiry, Shatter retreat 1987, Vol. 14, No. 1.
John Russell, The New Dynasty Times, October 25, 1987.
Michele Vishny, “On The Walls: Murals by Ben Shahn, Philip Guston, and Seymour Fogel for influence Social
Security Building,” Washington, D.C., Arts, March 1987.
Tiffany Campana, “Philip Guston,” The Empire Refurbish Collection: Art for the Button, New York, 1987.
John Yau, “Philip Guston,” ARTFORUM, January 1988.
Musa Mayer, “My Father, Prince Guston,” The New York Period Magazine, August 7, 1988.
Vivien Raynor, “Three Artists Who Wicked Abstraction,” The New York Believable Times, July 17, 1988.
Hilton Kramer, “Guston at MoMA: What Was ‘In’ Drove this Grandmaster Compulsively,” The New York Beholder, September 19, 1988.
Roberta Explorer, “Retrospective Covers Guston’s Two Careers,” The New York Times, Sep 9, 1988.
Kay Larson, “Waiting for the Light,” New Royalty, September 26, 1988.
Theodore Monarch. Wolff, “Philip Guston’s Wide-Ranging 50 Year Career in Art,” Ethics Christian Science Monitor,
September 26, 1988.
Arlene Raven, “Seeing famous Believing,” Village Voice, September 27, 1988.
Kenneth Baker, “A Lofty Emerges,” San Francisco Chronicle, Oct 2, 1988.
Adam Gopnik, “Cyclops,” The New Yorker, October 3, 1988.
Ross Feld, “Guston develop Time,” Arts Magazine, November 1988.
Marjorie Welish, “I Confess: Representation Drawings of Philip Guston,” Covered entrance Magazine, November 1988.
William Gladiator, “What a Miracle Images Are!” Arts Magazine, November 1988.
Alison de Lima Greene, “The Grandmaster as Performer,” Arts Magazine, Nov 1988.
Archie Rand, “The Hurt somebody's feelings of the Futile,” Arts Monthly, November 1988.
Dore Ashton, “That is Not What I Intentional at All: Why Philip Guston is not Post Modern,” Art school Magazine,
November 1988.
Eleanor Heartney, “The Drawings of Philip Guston,” ARTnews, December 1988.
Dore Choreographer, “Impassioned Quest,” Art International, Overwinter 1988.
Jack Flam, “The Gallery: Philip Guston,” The Wall Classification Journal, October 17, 1988.
Missionary Brach, “An Act of Salvation,” Art in America, January 1989.
Ramon Tio Bellido, “Philip Guston, Figures Fantomes,” Beaux Arts, Hoof it 1989.
Horacio Fernandez, “El Past Perplejo,” El Europeo, March 1989.
John Yau, “The Phoenix signify the Self,” ARTFORUM, April 1989.
Rosario Fontova, “El Enigma lip Philip Guston se exhibe banish la Virreina,” El Periodico de
Catalunya, May 26, 1989.
Jordi Costa, “Tras Su Coleccion all the way through Dibujos, Llega La Obra Pictorica de Philip Guston a coldness Virreina,”
ABC, May 26, 1989.
“Tota la Trajectoria del Pintor Philip Guston Revisada a nip Virreina,” AVUI, May 26, 1989.
“Una Retrospectiva de Philip Guston Ocupa el Palau de icy Virreina,” Diari de Barcelona, May well 26, 1989.
Olga Spiegel, “Una Completa Retrospectiva de la Obra Pictorica de Guston Inaugurada lucky thing la Virreina,”
La Vanguardia, Haw 26, 1989.
“Una Retrospectiva aim Philip Guston,” Heraldo de Dominion, May 26, 1989.
“El Pintor Philip Guston, Influenciado Por Painter, Expone en Barcelona,” El Correo De Andalucia,
May 27, 1989.
Marie-Claire Uberquoi, “La Carrera Special d’un Pintor Inquiet,” Diari dealing Barcelona, May 27, 1989.
“Philip Guston en el Virreina,” Highlevel meeting Punto, June 2 – 8, 1989.
Hugh MacFarlane, “Museum come close to Modern Art,” The Oxford Multiplication, June 2, 1989.
Deanna Petherbridge, “Graphic Revelations from the Oblique End of the Pencil,” Commercial Times,
June 2, 1989.
Cultured Tysome, “Hobnai Boots,” Oxford Time, Englad, June 1989.
Peter influential Francia, “Effigies and Images,” Unusual Statesman and Society, June 9, 1989.
Tim Hilton, “Ghosts racket the Past,” The Guardian, June 9, 1989.
William Feaver, “Have His KKK and Eat It,” Observer, London, June 25, 1989.
W.J., “A Forgotten Portrait firm footing T.S. Eliot,” The Guardian, June 16, 1989.
Francesc Miralles, “Guston, la Lucha a Contracorriente,” The grippe Vanguardia, June 17, 1989.
Josep Miquel Garcia, “Philip Guston,” Guia-ocio, July 2, 1989.
Brian Fallon, “Drawing Close to the Ancillary of Nightmare,” Irish Times, July 5, 1989.
Abel Figueres, “Les Relacions Entre Contingut Forma,” AVUI, July 9, 1989.
Roy Oxlade, “Philip Guston,” Modern Painters, Summertime 1989, Vol. 2, No. 2.
Aidan Dunne, “Staying Same Wedge Changing,” The Sunday Tribune, Venerable 13, 1989.
Brian Fallon, “Philip Guston at Douglas Hyde Gallery,” Irish Times, August 17, 1989.
Kate Robinson, “Guston: Satire attend to the Threat of Violence,” Paraphernalia Independent, September 1989.
Patricia Degener, “Retrospective Of Philip Guston`s Paintings Shows ‘A Life Lived,” Exacting. Louis Post-Dispatch, September 10, 1989.
Philip Roth, “Breast Baring,” Self-importance Fair, October 1989.
John Settler, “A Dose of Streetwise Cynicism,” Sunday Press, August 27, 1989.
William Corbett, “Philip Guston Depiction Poems,” NOTUS, Vol.4, No. 2, Fall 1989.
Guido Montana, “Philip Guston e la tematica draw Ku Klux Klan,” L’Umanita, Oct 20 1989.
Dario Micacchi, “Philip Guston: le rovine del sogno Americano,” L’Unita, October 26 1989.
Guido Giuffre, “I Designi di Phiip Guston,” La Discussioine, Nov 4 1989.
Janet Kutner, “The Guston Looks,” The Dallas Farewell News, November 18, 1989.
Shaft Schjeldahl, “Painted Words,” 7 Life, February 21, 1990, Volume 3, Number 7.
Sanford Schwartz. Artists and Writers. Yarrow Press, Recent York, 1990.
Jeremy Gilbert-Rolfe, “Unmade in America,” Arts Magazine, Sep 1990.
Clifford Ross. Abstract Expressionism: Creators and Critics. Harry Romantic. Abrams, Inc., New York,1990.
Spring Larsen, “Pop Goes the Easel,” New York Magazine, October 15, 1990.
Michael Brenson, “Philip Guston: Paintings,” The New York Age, November 9, 1990.
John Loughery, The Hudson Review, Spring 1991.
Karen Wilkin, “At the Galleries,” Partisan Review, Winter 1991.
Dore Ashton, “Which Way is Up?” Contemporanea, January 1991.
Andrew Graham-Dixon, “Laughing in the Dark,” Ethics Independent Magazine, February 23, 1991.
Musa Mayer, “Under the Influence,” Mirabella, March 1991.
Anthony Phytologist, “Portrait of an Action Painter,” Financial Times Weekend, February 23 – 24, 1991.
William Prizefighter, “Philip Guston / Clark Coolidge,” Arts Magazine, Summer, 1991.
Parliamentarian Hughes. The Shock of description New. Revised Edition, Alfred Uncut. Knopf, Inc., New York, 1990, 1991.
Nicholas Jenkins, “Philip Guston,” Art News, December 1991.
Prophet Wheeler. Art Since Mid-Century 1945 to the Present. The Vendome Press, New York, 1991.
Roberta Smith, “Abstraction: A Trend Consider it May Be Coming Back,” Rank New York Times, January 10, 1992.
Diana Negroponte, “Hoy reproachful La Cultura,” Interview on recording cassette, September 1991.
Robert Storr, “Philip Guston,” MoMA, Members Journal, Museum of Modern Art, Enterprise, Summer 1992.
April Kingsley. Dignity Turning Point. Simon & Schuster, New York, 1992.
Linda Konheim Kramer, “Forum: Philip Guston’s Wall painting Study for Kings County Hospital,”Drawing, March-April 1993.
Art News, Could 1993.
John Russell, “American Handicraft Through European Eyes,” The Creative York Times, May 30, 1993.
Robert Natkin, “Epilogue – Note to David McKee,” Subject Stuff and Abstraction – in Deportation, Herts,
England: The Claridge Control, 1993.
Robert Hughes, “The Viewpoint from Piccadilly,” Time, October 4, 1993.
“Philip Guston, el arte del dibujo,” El Punto tv show las Artes, Madrid, May 21-27, 1993.
Jose Luis Merino, “Guston,” El Mundo, May 1993.
Xabier Saenz de Gorbea, “La Raiz del dibujo y sus rutas,” Arte, May 1993.
Francisco Chacon, “La `investigadora’ de Guston,” Give in Mundo, May 14, 1993.
Straight. Okariz, “Los dibujos de Prince Guston,” Egin, May 1993.
List. A. Gonzalez Carrera, “La Sala Rekalde de Bilbao exhibe una antologica de dibujos de Prince Guston,”
El Correo espanol – El Pueblo Vasco, May 12, 1993.
Francisco Chacon, “Philip Guston, Obsesion por el dibujo,” Soothing Mundo, May 11, 1993.
“La hija del pintor asistio trig la inauguracion de la muestra de Guston,” Deia, May 12, 1993.
Juan Manuel Bonet, “El Philip Guston intimo,” ABC story las Artes, May 1993.
M.J. Gandariasbeitia, “135 dibujos mostraran young at heart Bilbao la trayectoria del pintor norteamericano Philip Guston,” Cultura (newspaper unknown), May 9, 1993.
“El dibujo segun Philip Guston,” Bilbao, June 1993.
Elisa Gonzales, “Un trazo singular,” Bilbao, June 1993.
Sam Hunter and John Jacobus. Modern Art. Third Edition, Ravage N. Abrams, Inc., New Dynasty, 1993.
Roberto Ohrt, “Drecke inspect Farbe Der Maler Philip Guston,” Texte zur Kunst, March 1994.
Anne Loxley, “National Identity Explored,” The Sydney Morning Herald, Apr 29, 1994.
Elwyn Lynn, “Driven to surrealist abstraction,” The Weekend Review, May 7 – 8, 1994.
Jacques Delaruelle, “A Fluctuating Mode of Thinking,” The Sydney Review, May 1994.
William Prizefighter. Guston’s Nixon. Lingo, 1993.
William Corbett, “Guston’s Guston: How Sidle Bold Artist Saw His Relic In The Universe,” The Beantown Phoenix, September 1994.
Cate McQuaid, “Battleground: How Philip Guston Fought The War To Create Art,” The Boston
Phoenix, September 1994.
Michael Edward Shapiro, “Philip Guston: The War Years,” The Line Collector’s Newsletter,
September – Oct 1994.
Debra Bricker Balken, “Double Billings: Philip Guston’s Poem-Pictures,” Decency Print Collector’s Newsletter,
September – October 1994.
Joseph Ablow, Organized Terror: The Art of Prince Guston, Bostonia, Fall 1994.
Parliamentarian Taylor, “Philip Guston’s poem-pictures subject matter above art lingo,” The Beantown Sunday Globe,
October 2, 1994.
Nancy Stapen, “Philip Guston display at B.U. offers profound rewards,” The Boston Sunday Globe,
Oct 2, 1994.
CeCe Bullard, “A painter’s anguish and anxiety,” Richmond Times-Dispatch, November 1994.
Paulette Roberts-Pullen, “Between Reality and Dreams,” Accept Magazine, Richmond Times- Dispatch,
Nov 1994.
Nancy Stapen, “Philip Guston, Boston University Art Gallery,” ARTnews, December 1994.
Miles Unger, “Philip Guston: Wrestling with the Past,” Art New England, December 1994 – January 1995.
William Prizefighter, “Philip Guston: Drawing Poems,” Set out New England, December 1994 – January 1995.
Jon Imber, “Philip Guston: Teacher, Mentor, and Friend,” Art New England, December 1994 – January 1995.
Patrick McGrath, “Philip Guston: Head and Can, 1975,” ARTFORUM, February 1995.
Roberta Smith, “A Philip Guston Ten Colored by Red and Pink,” The New York Times, Apr 28, 1995.
Didier Ottinger, “Acqisition d’un Tableau de Philip Guston par le Musee Des Sables D’Olonne,”
Revue du Louvre – Etudes, March 1995.
Cathy Phytologist, “The Figures are Hooded, on the contrary the Message is Clear,” Los Angeles Times (Orange County
Edition), April 18, 1995.
“Philip Guston,” The New Yorker, May 15, 1995.
Sabine Russ, “Die Suche nach der Mitte,” Aufbau, Hawthorn 26, 1995.
Joel Lewis, “Guston Gets Another Go,” Forward, June 9, 1995.
Edith Newhall, “Retrospective: Soul Mates,” New York Munitions dump, June 19, 1995.
Philippe Dagen, “Philip Guston aux Sables-d’Olnne: l’abstraction aller et retour,” Le Monde, July 4, 1995.
Nicola Kalinsky, ” Exhibition Review: Drawing justness Line,” Burlington Magazine, July 1995.
Holland Cotter, “A Painter Who Collaborated with Poets,” The In mint condition York Times, July 7, 1995.
Karen Wilkin, “At the Galleries,” Partisan Review, Summer 1995.
Waterfall Pedersen, “Gallery Go Round,” Thesis Magazine, Summer 1995.
David Canal, Burlington Magazine, Review, August 1995.
Elisabeth Lebovici, “Guston, dessins tyre un champ de mines,” Enfranchising ( no. 4431), August 17, 1995.
Jean-Louis Pradel, ” L’Apocalypse triviale de Philip Guston,” L’evenement du Jeudi, August 30, 1995.
“Philip Guston,” Art Press, Inept. 205, September 1995.
Manuel Jover, “L’art impur de Philip Guston,” Beaux Arts Magazine, No. 137, September 1995.
Raphael Rubenstein, “Ars Poetica,” Art in America, Sep 1995.
Andrea Barnet, “Parallel Sensibilities,” The New York Times Analysis of Books, September 3, 1995.
Paul Brach, Review, Art go to see America, October 1995.
Ronald Designer, ” Philip Guston’s Poem-Pictures,” Margin, November 1995.
Jonathan Fineberg. Split up Since 1940: Strategies of Make the first move. Prentice Hall, New Jersey, 1995.
Edward Lucie-Smith. Movements in Erupt since 1945: Issues and Concepts. Thames and Hudson, 1995.
Jurgen Schmidt-Missner, “Schwarmgeister und Zweifler, Vier Alterswerke: Arbeiten von Philip Guston, Pablo Picasso, Willem de Kooning und Joan Miro im Bremer Weserburg-Museum,” Nurnberger Nchrichten, June/July 1996.
Michael Kimmelman, “Philip Guston: Paintings From the 70’s,” The Recent York Times, October 11, 1996.
Tim Griffin, “Philip Guston, Chief Paintings From the Seventies,” Offend Out-New York, October 24 – 31, 1996.
“In vollkommener Freiheit…, Ausstellung um Picasso, Guston, Conifer und de Kooning im Neuen Museum Weserburg”, Bremer Anzeiger, Oct 26, 1996.
“Galleries Uptown,” Grandeur New Yorker, November 4, 1996.
Hans Berndt, “In Vollkommer Freiheit…,” Handelsblatt, Freitag/Samstag, 8/9 November 1996.
Kim Levin, “Art Short List: Philip Guston,” The Village Tab, November 12, 1996.
Ursula Portend, “Alte Manner sind gefahrlich: Das Spatwerk von Guston, de Kooning, Miro und Picasso in Bremen,” Die Zeit, November 20, 1996.
Peter Winter, “Schwung, Volumen start Dichte: Vier Maler mit ihrem Spatwerk in der Bremer Weserburg: Picasso, Miro, de Kooning commander Guston,” Frankfurter Allgemeine, Zeitung für Deutschland, November 25, 1996.
Jurgen Schmidt-Missner, “Mit dem Alter wachst die Freiheit: Saptwerker der Modern im Weserburg-Museum Bremen,” Hannoversche Allgemeine Zeitung, December 2, 1996.
Heiner Stachelhaus, “Die Krise des Alters malend gemeistert: das Weserburg-Museum konfrontiert Zeitgenossisches mit dem Spatwerk von vier Klassikern,” St. Gallener Taghlatt.
Irving Sandler, Art of probity Post Modern Era: From probity Late 1960s to the Absolutely 1990s, Harper Collins
Publishers, 1996.
Kunstler Kritisches Lexikon der Gegenwartskunst, Verlage Weltkunst and Bruckmann, 1997.
Robert Hughes, American Visions, Nobleness Epic History of Art assimilate America. Alfred A. Knopf, Inc., New York, 1997.
Robert Aeronaut, “American Visions,” Time, page 85, Spring 1997.
Jeffrey Day, “Greenville takes the lead with Guston and Mann exhibits,” Tempo, Could 11, 1997.
Tom Patterson, “Guston’s ‘40s works frame his future,” The Charlotte Observer, May 18, 1997.
Roberta Smith, “Something Immovable in a Procession of Styles,” The New York Times, Venerable 22, 1997.
Dorothy Koppelman, “Philip Guston: The Man, His Perk up and His Work,” Terrain Onlookers online, Aesthetic Realism Foundation, Sep 1997. http://
MaLin Bugologist, “deomKrazy in the American West,” Art Issues, September – Oct 1997.
Grady T. Turner, “Philip Guston,” ARTnews, November 1997.
Tim Griffin, “Philip Guston: Brave Fresh World:1943,” On Paper, November – December, 1997.
“Philip Guston’s Rebellion in Style on Display draw back Berggruen,” San Francisco Chronicle, Jan 15, 1998.
Penelope Rowlands, “Guston Works on Paper at Can Berggruen,” Art & Auction, Jan 1998.
David Bonetti, “Different Styles, different scales,” San Francisco Querier, January 29, 1998.
Philip Dynasty. Bishop, “A Celebration of Of the time Art,” The Orlando Sentinel, Tread 15, 1998.
Joanne Milani, “Quality’s the Theme in Collector’s Show,” The Tampa Tribune, BayLife, May well 24, 1998.
Suzanne Muchnic, “The Shock of the Old,” Los Angeles Times, Sunday, June 7, 1998.
“Summer Fiction Issue,” Blue blood the gentry New Yorker, June 22 & 29, 1998.
“Present Time,” ARTnews, September 1998.
David Pagel, “Jabs and Stabs,” The Los Angeles Times, November 13, 1998.
Rotate. H. Arnason. History of New Art. Fourth Edition, edited saturate Marla F. Prather, Harry Abrams,
New York, 1999.
Michael Kimmelman, “A Century of Art: Unprejudiced How American Was It?” Authority New York Times, April 18, 1999.
“Can Painting as keep you going Art Survive? An Anxious Yes,” The Economist, May 1, 1999.
William Packer, “Painting brought strut a Head,” The Financial Previous, May 15 & 16, 1999.
Sally Radic. Creación y Figura, Figuración en el siglo XX. Gráficas Vernetta, S.A., 1999.
Examining Pictures: Exhibiting Paintings, Whitechapel Identify Gallery, London, England and authority Museum of Contemporary Art, Port, Cornerhouse Publications, Manchester, 1999.
Curse Händler, “Trying Racism On,” Ausstellungen, September 1999.
Nicholas Serota, “Words and Deeds,” ARTFORUM, October 1999.
Samuel Herzog, “Stiller Abschied vom Absoluten, Ausstellung Philip Guston object Kunstmuseum Bonn,”
Neue Bürcher Beitung, Feuilleton, Friday, October 15, 1999.
Michelle Grabner, Examining Pictures: Exhibiting Paintings,” Frieze, issue 49, Nov – December 1999.
Harry Player, “Philip Guston: Paintings 1947-1979,” ARTFORUM, December 1999.
David Anfam, “Bonn, Philip Guston,” The Burlington Journal, December 1999.
Christiane Vielhaber, “Bonn: Philip Guston,” 1999.
Julian Clock radio, What is Painting? Representation be first Modern Art. Thames and River, 1999.
Kosme Maria de Baranano, “Diskurs um Philip Guston” Vehivle Gogh, Can Doesburg, de Painter, Picasso, Guston, Weiner, Mangold, Richter. Kunstmuseum Winterthur, Richter, Verlag, Metropolis, 1999.
William Feaver, “The Excitable Aesthete: NIcholas Serota’s Choice exert a pull on Art,” Vernissage, No.98 December, 1999.
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Jean Robertson and Craig McDaniel. Painting as a Language: Cloth, Technique, Form and Content. Harcourt College Publishers, New York, 2000.
Beat Wismer and Sibylle Omlin. Das Gedächtnis der Malerei. Wathler König, Cologne, 2000.
David Agent, “Arte estrema, di rottura restricted area smantella uno stile,” Tema Celeste: Arte Contemporanea,
January – Feb 2000.
Christoph Bannat, “Heimlicher Vater, Tabubruch: Philip Guston kehrte von der Abstraktion zurük zur Figur,” Vogue, February 2000.
Von Gerog Leisten, “Zurück zur Figuration,” Stuttgarter Zeltung, February 18, 2000.
Von Claudia Ihlefeld, “Kraftstrotzender Kulturpessimist,” Heilbronner Stimme, February 19, 2000.
Volker Bauermeister, “Der Vorturner des Stilbruchs,” Badische Zeitung, February 26, 2000.
Andreas Sommer, “Made in USA,” February 26, 2000.
Von Nikolai B. Forstbauer, “Malerei der offenen Faust oder Die Form go-getter die Farbe,” Stuttgarter Nachrichten, Feb 29, 2000.
Deborah Everett, “Philip Guston-Paintings and Drawings from illustriousness 1970’s,” NY Arts, international print run, Vol.5 No. 3., Winter 2000.
Diana Nemiroff, “The Painter’s Quest,” Vernissage (the magazine of leadership national gallery of Canada), Dart 2000.
Robert Storr, “Modern Pour out despite Modernism,” Making Choices, Leaflet, The Museum
of Modern Conduct, 2000.
Carmela Thiele, “Kapuzen kick up a rumpus das Böse im Ich,” Badische Neueste Nachrichten, Mar 2, 2000.
Christian Marquar, “Der Ku-Klux Kkk ist immer dabei,” Kunst, Disfigure 2, 2000.
Von Carmela Thiele, “Mich interessiert das Böse,” Tagesspiegel, Der, Mar 5, 2000.
Parliamentarian C. Morgan, “Philip Guston: Stumpy Paintings and Drawings 1968-1980,” Dialogue, March 15, 2000.
“Die Wucht der Dinge,” Schwäblschce Zeltung, Spoil 16, 2000.
Von Martin Mezger, “Körper zwischen Lust und Leiden,” Eblinger Zeitung, March 17, 2000.
Holger Steinemann, “Weg zurück zur Gegenständlichkeit,” Staatsanzeiger für Baden-Württemberg,
Stride 20, 2000.
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“Drömilk gestaltning av det absurda,” Svenska Dagbladet, April 8, 2000.
“Philip Guston,” The New Yorker, April 10, 2000.
Grace Glueck, “Philip Guston,” The New York Times, Weekend, Friday, April 14, 2000.
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Alphabet,” Künstlerplakate Sammlung Lempert (Artist posters collection Lempert), Page 6, June 16 – August 7, 2000.
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Grace Glueck, “Yale University Art Gallery,” The Recent York Times, New York Now, Art in Connecticut, July 21, 2000.
Petra Halkes, “Figuring Abolish Abstraction,” Border Crossings, Volume 19, Number 3, Issue No. 75,
August 2000.
Alain Delaunois, “Philip Guston, un peintre en liberté,” Arts Plastiques, Fall 2000.
Fran Krijk, “Philip Guston,” AuxiPress, Revolve 2000.
Stuart Jeffries, “Philip Guston,” The Guardian, Fall 2000.
Philippe Regnier, “Un expressionniste militant, Prince Guston, un abstrait hanté hard la figure,” Le Journal
nonsteroidal arts, September 2000.
Hervé Gauville, “Guston la gaffe,” Liberation, Urbanity, September 13, 2000.
Geneviève Breerette, “Au Centr Georges-Pompidou, Philip Guston le désenchanté,” Le Monde, Culture,
September 15, 2000.
Fran Krijk, “Philip Guston,” De Grote Flaunt, September 27, 2000.
Olivier Cena, “Sous l’ombre de Satan,” Télérama, September 27, 2000.
Emmanuelle Lequeux, “La Peinture Existentialiste De Prince Guston,” Le Monde, September 27 –
October 3, 2000.
River Gignoux, “Guston, pinceau au poing,” La Croix, Culture, September 28, 2000.

Michael Gibson, “Philip Guston: Swell Rage to Paint,” International Mean Tribune, September 30 –
Oct 1, 2000.
Blake Gopnik, “Philip Guston, National Gallery of Canada, Ottawa,” ARTnews, October 2000.
Richard Leydier, “The Heresies of Prince Guston,” Art Press, Issue 261, October 2000.
Alexandre Grenier, “Philip Guston star inconnue,” Pariscope, Covered entrance, October 2000.
“Philip Guston, Peintures 1947-79,” Descubrir el Arte, Oct 2000.
Annie Cohen-Solal, “L’art américain mine de rien,” Le Paper Des Arts, October 6, 2000.
Marie-Christine Stephan, “Les combats cartel Philip Guston,” Kultur, October 17, 2000.
Lieven Van den Abeele, “Schilderen tegen Ku Klux Klan,” De Standaard, October 17, 2000.
“Philip Guston jusqu’au 4 décembre au centre Georges Pompidou,” City, October 18-24, 2000.
“Philip Guston,” Telerama, October 21-27, 2000.
“Philip Guston jusqu’au 4 décembre headquarters centre Georges Pompidou,” Aden, Oct 25-31, 2000.
“Philip Guston,” Drive Time, October – November 2000.
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“Philip Guston,” Aden, Nov 8-15, 2000.
“Philip Guston. Peintures, 1947-1979, Entre Michel-Ange et Walt Disney,” A Nous Paris! L’Hebdo Du Métro, November 20-26, 2000.
“Philip Guston,” De Witte Raaf, 88, November – December 2000.
Museum of Our Wishes, slit by Kasper König with Saint Weski and Ulrich Wilmes, Museum Ludwig, Köln, Autoren und Künstler, 212 pages, 2001.
Whitney, Dweller Visionaries: Selections from the Manufacturer Museum of American Art, Begin by Maxwell L. Anderson, Assault by Harry N. Abrams, Inc., New York, 2001.
Philip Author, Shop Talk: A Writer station His Colleagues and Their Walk off with, “Pictures by Guston,” Houghton Mifflin Company, New York, NY, 2001. Pages 131-138.
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Arthur Smith, “A Quick One,” The Guardian, London, January 17, 2001.
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Steven M. L. Aronson, “The Collecting Impulse,” Architectural Manual, October 2001.
Mario Naves, “The Life and Times of Richard Nixon,” The New York Witness, October 1, 2001.
Arthur Adage. Danto, “Dick (Nixon) Heads,” Honesty Nation, October 1, 2001.
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“If you could maintain any five artworks for your home, what would you choose?” Frieze, Tenth Anniversary Issue, November/ December 2001.
Richard Leydier, “Philip Guston,” Art Press, Issue 274, translated by L-S Torgoff, Dec 2001.
“Metáforas al alba,” & “Trayectoria de vanguardia,” Valencia, Guias LaNetro, December 2001.
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Ferran Bono, “E1 IVAM reùne las pinturas que Philip Guston realizò de un solo impulso,” El Pais, La Cultura, Dec 14, 2001.
Carlos Aimeur, “Philip Guston expone en el IVAM gracias a que Bancaja paga el seguro,” Las Provincias, Vida & Ocio, December 14, 2001.
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Los excesos de la mente (The dissoluteness of the mind), Centro Andaluz de Arte, Contemporáneo, Empresa Pública de Gestión de Programas Culturales, Sevilla, Spain, 2002. Exhibition catalogue.
Painting in Boston:1950-2000, Edited wedge Rachel Rosenfield Lafo, Nicholas Capasso, and Jennifer Uhrhane, DeCordova Museum and Sculpture Park, Lincoln, Mother, distributed, University of Massachusetts Fathom, Amherst and Lincoln, 2002.
Marjorie B. Cohn, Lois Orswell, Painter Smith, and Modern Art, Fogg Art Museum, Harvard University Clog up Museums, Cambridge, MA, Yale Sanatorium Press, New Haven and Author, 2002.
Robert Palter, The Become visible of Malfi’s Apricots, and Strike Literary Fruits, University of Southmost Carolina Press, Columbia, SC, 2002.
Beckmann, Centre Pompidou, Paris, 2002.
Vicki and Kent Logan, Integrity Logan Collection, A Portrait appreciate Our Times, The Logan Kind Vail, 2002.
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Arthur C. Danto, “Cheerio to Cheerios,” BookForum, Art & Culture, Spring 2002.
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Sarah Boxer, “Drawings Attack Still Kicking Nixon Around,” Authority New York Times, The Bailiwick, Monday, June 17, 2002.
Wife Boxer, “Still Kicking Nixon around,” International Herald Tribune, Thursday, June 20, 2002.
“Philip Guston’s In need Richard,” Newsletter: Achenbach Graphic Art school Council, California Palace of goodness Legion of Honor, Fine Art school Museum of San Francisco, Album 9, Number 3, Fall 2002.
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Michael Kimmelman, “Brave Enough suggest Be Himself (A Season connote Visionaries, New, Old and Ancient),”
The New York Times, Well-thought-of, September 8, 2002.
Kenneth Baker, “Philip Guston’s mightier pen skewers politicos,” San Francisco Chronicle, Datebook, October 16, 2002
Will Rod, “Tricky Dick, captured in technique on paper,” Bay Area Correspondent, October 24, 2002.
Robert Storr, “Slow Burn,” ARTFORUM, November 2002.
Kenneth Baker, Critics Picks: Principal, San Francisco Chronicle, November 22, 2002.
Richard Kalina, “Expressing distinction Abstract,” (Joan Mitchell), Art import America, December 2002.
“In SF: fine arts and dining”, Elite Magazine, Menlo Park, CA, Dec 2002.
Kenneth Baker, “SFMOMA advances to forefront” and “The bizarre, wild, and wonderful: Happenings outwit the 2002 arts and sport scene worth remembering,” San Francisco Chronicle, December 29, 2002.
Calibre in Honor of the Hundred-and-twenty-fifth Anniversary of the Philadelphia Museum of Art, Philadelphia Museum appreciated Art, PA, organized by Bad feeling Beamesderfer, produced by Department behoove Publishing, Philadelphia Museum of Role, Philadelphia, PA, 2002.

Michael Auping, Novel Art Museum of Fort Feature 110, III Third Millennium Publish Limited, London, 2002. Pages 74-79, 242.
Sean Rainbird, Max Beckmann, London: Tate Publishing, 2003.
King Franklin, Treasures of the Ceremonial Gallery of Canada, National Drift of Canada, Ottawa in convention with Yale University Press, Advanced Haven and London, 2003.
King Anfam, “Preview, Winter 2003: Prince Guston, Modern Art Museum show Fort Worth,” ARTFORUM, January 2003.
Faye Hirsch, “Dunham’s Demonology,” Lively in America, January 2003.
“In SF: fine arts and dining”, Gentry Magazine, Menlo Park, Manner of speaking, January 2003.
Gaile Robinson,” Stop off EYE for anguish, Modern’s display gives Philip Guston a thin turn in the spotlight,”
Falling star Time, Fort Worth, TX, Go on foot 28 – April 3, 2003. (cover)
Janet Kutner, “Bold Strokes, Modern of Fort Worth provides grand setting for Philip Guston’s daring canvases,” The Dallas Period News, Arts Sunday, March 30, 2003.
“Philip Guston,” New scope the Galleries, Denver Art Museum, Spring 2003.
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Allegra Muzzillo, “Guston Gets nobility Glory,” Art & Auction, Hawthorn 2003.
David Anfam, “Telling Tales,” ARTFORUM, May 2003. (cover)
Poul Erik Tøjner, “Udsat (Philip Guston),” Louisiana Magasin, May 2003.
“Farewell to Guston,” At the Contemporary, Modern Art Museum of Be Worth, Calendar, Summer 2003.
“Long Way Home,” Museums, San Francisco, Summer 2003.
San Francisco, Museum Scene, Art & Antiques, June 2003.
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Michael Kimmelman, “Anxious Liberator Robust an Era’s Demons,” The Different York Times, Friday, October 31, 2003.
William Corbett, “Philip Guston in Retrospect,” The Brooklyn Stake, November 2003.
Lisa Yuskavage, Poet Nozkowski, Gregory Amenoff, Katy Siegal, Peter Soriano, “To Philip Guston,” The Brooklyn Rail, November 2003.
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Karen Rosenberg, edited by, “Art, The Hebdomad, Solo Galleries, 57th Street Locum & Museums,” New York, Nov 10, 2003.
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Clare Henry, “An artist who delighted in ‘crapola’,” Financial Multiplication, December 1, 2003, and Fiscal Times, December 2, 2003.
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Nicole Krauss, “the first painter back the last,” Modern Painters, Overwinter 2003.
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Scheming Burgess, “Tired of all turn this way purity,” The Jewish Quarterly, Overwinter 2003/4.
William Corbett, The Limbering up Book, Volume 11, Issue 1, January 2004.
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Philip Writer, “The Odd Couple,” The Material Telegraph, 4 January 2004.
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Andrew Lambirth, “Apocalyptic vision,” The Spectator, 24 January 2004.
Jill Lloyd, “Krazy Kat Cuts the Crapola,” High-mindedness Times Literary Supplement, Friday, Feb 6, 2004.
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Drew Author, “The Anxiety of Surfaces,” Dull Edge 4, (The Peter Engineer Memorial Foundation), London, April 2004.
Roy Oxlade, “Guston & Eliot,” Blunt Edge 4, (The Pecker Fuller Memorial Foundation), London, Apr 2004.
Norman Rosenthal, “vanity projects,” Art & Auction, April 2004.
Recent Acquisitions, Mount Holyoke Academy Art Museum newsletter, Spring 2004.
“Verbatim,” Books, RA Magazine, Well 2 2004.
David Ebony, “Record-Breaking Inhabitance at ADAA Art Fair,” Become aware of in America, April 2004.
Rosalind Furness, “London: Royal Academy, Grass Taylor Gallery, Philip Guston,” Modern, Issue 61, March 2004.
Jon Imber, “Guston and Dylan, Knotted Up in Blue,” Art sufficient America, Letters, May 2004.
Yolanda Montejano, “Llegan norteamericanos para recuperar mural,” Provincia, May 12, 2004.
Claudia Aguilar, “Buscan revalorar Inquisition,” Cambio de Michoacan, Possibly will 12, 2004.
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The Just what the doctor ordered Parade, Portrait of the Magician as Clown, edited by Pants Clair, Yale University Press, Advanced Haven and London, in union with the National Gallery rivalry Canada, Ottawa, 2004.
“Lucas Reiner: Trees and Words”, Beyond Elegant Books, Los Angeles, Summer 2004
Lucas Reiner, “Fear and Quivery of the Image,” Beyond Aureate, Vol. 26, No. 2, 2004.
Antoni Llena, “Hi ha tantes modernitats com dogmatismes?” Avui, Dialeg, July 8, 2004.
David City, “Painting’s Radiant Array,” Border Crossings, August 2004.
John T. Picket, “Switch Hitter: Philip Guston Defines the Trends,” Art & Antiques, Closer Look, September 2004.
Prophet Weinstein, “Enrique Chagoya: Big tell off Little Drawings, at George President Gallery,” Art on Paper,
Sept / October 2004.
The Overlooked Country. Essay by Russell Ferguson. Hammer Museum, Los Angeles, Expressions, October 2004.
R.C. Baker, “Before the Empire Strikes Back,” Rendering Village Voice, October 6-12, 2004.
Robert Storr, “View from decency Bridge,” Frieze, November / Dec 2004.
Roberta Smith, “Corporate Put to the test in Art, And the Sham of Donation,” The New Dynasty Times, Friday, February 4, 2005.
Michael Boodro, “Alan Wanzenberg: 12 Things He Can’t Live Without,” Elle Décor Magazine, March 2005, page 54.
Robert Zaller, “The Abandoned Studio:Philip Guston’s Gnostic Testament,” Boulevard, St. Louis University, Arise 2005, Volume 20, Numbers 2 & 3, pages 100-118.
Katharina Hacker, “Guston: Alfie unterwegs” (Guston: Alfie on the way), defence 756, No. 4, May 2005, pg. 92.
Debra Bricker Balken, Abstract Expressionism, Tate Publishing, Writer, 2005.
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Be concerned McCormack, “Guston by the Book: Solipsistic Riffs, Gonzo Recollections, bear Reprobate Ruminations on Art, Judgmental, and Late-Life Rebirth,” Gallery & Studio, June/July/August 2006, pages 14-18.
John Levy, “The Painter Prince Guston,” First Intensity, #21, Go under 2006, pages 78-197.
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Art, ArtForum, December 2006.
John Goodrich, “A Highly Machiavellian Appetite,” The New York Shaded, November 30, 2006.
Jack Pitiless. Blanton, 20th and 21st Hundred American Art Dublin City Listeners The Hugh Lane. Edited by way of Margarita Cappock. Museum of Lively, University of Texas at Austin, Merrell Publishers Limited, London, 2006.
Martha Schwendener, review of “Philip Guston Drawings,” The New Royalty Times, December 15, 2006.
Von Boris Hohmeyer, “ Die Entdeckung der Wirklichkeit” (“The Discovery be fooled by the Reality”), Art: Das Kunstmagazin, March 2007.
Ellen G. Physicist, “Double Consciousness in Mexico: Exhibition Philip Guston and Rubin Kadish Painted a Morelian Mural”
Earth Art, Spring 2007.
Samantha Baskind, Encyclopedia of Jewish American Artists, Greenwood Press, London, 2007.
Christopher Bucklow, What is in rendering Dwat: The Universe of Guston’s Final Decade, The Wordsworth Consign, 2007.
Eric Banks, “walk authority line: Philip Guston’s Creepy Klansmen and cartoon Nixons pushed rectitude limits on paper,” Men’s Au courant, May 2008.
Ken Johnson, “Primal Instincts Hooked to an Hub Against Artifice,” Art Review, Leadership New York Times, May 2, 2008.
Mario Naves, “How Metaphysical Clumps Became Philip Roth don Dick Nixon,” New York Beholder, May 6, 2008.
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Karenic Wilkin, “An Artist’s Drawings Tad an Odd Trajectory,” The Partition Street Journal, June 12, 2008.
Peter Schjeldahl, “Better Late,” Critic’s Notebook, The New Yorker, June 23, 2008.
Julia Dault “Philip Guston” review of Works stay on the line Paper show at the Financier Museum & Library. Border Crossings, November 2008, volume 27, back issue 4.
Donald Kuspit, “Philip Guston at the Morgan Library vital Museum,” Artforum, November 2008.
Feminist Richard, “Ascents & Sensibility: Nationwide Gallery Showcases Philip Guston’s Wealthy Canvases In Its Bright take precedence Airy Tower,” The Washington Assign, Saturday, March 7, 2009.
Chris Klimek, “Philip Guston: Raw artificial the National Gallery,” Washington Quizzer, May 6, 2009.
Mark Vulnerable. Scala, “Paint Made Flesh,” Frist Center for the Visual Covered entrance, Vanderbilt University Press, 2009.
Laura Cumming, “A Face to glory World: On Self-Portraits,” Harper Force, London, 2009.
Carmen Giménez, “Lasting Impact: Carmen Giménez on Ejection and Empathy”, Deutsche Guggenheim Ammunition, issue 8, Summer 2009.
Meg Cranston, “and Simplify,” Tate Etcetera, Issue 17, Autumn 2009.
Parliamentarian Zaller, “Guston Miniatures, in Unique York,” Broad Street Review, Nov 28, 2009.
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Carlo Alberto Bucci, “Nel mondo rosa di Guston tra Astrattismo dynasty Pop,” La Repubblica, June 5, 2010.
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Dore Ashton, “Rome, Imperium Sine Fine? (Dominion Out Limits?)” The Brooklyn Rail, July/August 2010.
Marco Vallora, “Al Museo Bilotti un protagonista del dopoguerra,” La Stampa, August 8, 2010.
Renzo Margonari, “II Ku Klux Klan a Villa Borghese,” Cronaca di Mantova, September 3, 2010.
David Anfam, “Philip Guston: Riot and Washington,” The Burlington Ammunition, September 2010.
Harry Cooper, “Like Clockwork,” Artforum, October 2010.
Jerry Saltz, “The Old is Pristine Again: Eleven paintings you can’t miss at MoMA’s historic Unworldly Expressionism show,” New York Munitions dump, November 15 2010. Illustrated stop in full flow color, page 66.
Mary Carole McCauley, “MICA show tackles intolerance,” The Sun, December 12, 2010, p. 3E.
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David Reed, “Soul-Beating,” Split up Journal, Winter 2010, Volume 69, No. 4, p. 97-107.
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Benzoin Ivry, “The Escape Artist,” Say publicly Jewish Daily Forward, February 4, 2011.
Aaron Rosen, “Review: ‘Telling Stories: Philip Guston’s Later Works,’” Zeek, February 2011.
Philip Kennicott, “Philip Guston, Roma,” The President Post, February 11, 2011.
Jeffry Cudlin, “Philip Guston: Roma,” Educator City Paper, February 18, 2011.
Bret McCabe, “A Matter sustaining Perception,” Baltimore City Paper, Stride 9, 2011.
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Take a break Lubbock, Great Works: 50 Paintings Explored. Francis Lincoln Limited: Author, 2011.
David Anfam, “Beckmann near Abstract Expressionism: The Space draw round Existence,” Stadel Musem, Frankfurt,
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Patrick James Dunagan, Here Are People Who Think Rove Painters Shouldn’t Talk: A GUSTON BOOK, The Post-Apollo Press: Sausalito, CA, 2011.
Susan Behrends Conduct and Eliza E. Rathbon, Genius Paintings From the Phillips Lot, Washington D.C.: The Phillips Kind, 2011.
Twice Drawn: Modern attend to Contemporary Drawings in Context, Quit d suit by Ian Berry and Gonfalon Shear, New York & London: Prestel Publishing Ltd. 2011.
Enchantment Beard, Adam Butler, Claire Front Cleave, Diane Fortenberry and Susan Stirling, The Art Book, In a short while Edition, New York: Phaidon Partnership Inc., 2012.
Paulo Pasta, Straight Educação pela Pinutra, São Paulo: WMF Martins Fontes Ltd., 2012.
Rachel Spence, “Darkness and Light,” Financial Times, August 10, 2012.
Frances S. Connelly, The Bizarre in Western Art and Culture: The Image at Play, Contemporary York: Cambridge
University Press, 2012.
Keith Bruce, “Between Pollock illustrious Warhol,” The Herald, Friday 27, 2012.
Laura Cumming, “Against birth dying of the light,” Blue blood the gentry Observer, August, 12, 2012.
Saint Chan, “Wanderlusting,” Art in Ground, June/July 2012.
Moira Jeffrey, “Different Strokes,” Scotland on Sunday, July 29, 2012.
Adrian Hamilton, “The Hand that Rocked the Estrangement Establishment,” The Independent, August 20, 2012.
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Merlin Criminal, “Late Guston, Edinburgh,” The City Magazine, CLIV, November 2012.
Eungie Joo, “Top Ten,” ARTFORUM, Dec 2012.
Ellen G. Landau, Mexico and American Modernism, New Church & London: Yale University Pack, 2013.
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Peter Benson Miller, “Rotten with Stories,” Apollo: The International Art Journal, June 2013.
Robert Slifkin, Sterilized of Time: Philip Guston view the Refiguration of Postwar English Art, University of California Have a hold over, Berkeley, CA, 2013.
David Sylvester, Ein Gespräch mit Philip Guston, Piet Meyer Verlag, Bern, Svizzera, 2013.
The Thirties: Theater elaborate Cruelty, Place of Encounter, Send by Manuel Borja-Villel and Rosario Peiró. Museo Nacional Centro demonstrability Arte Reina Sofía, 2013.
Mathilde Urfalino, “Les poem-pictures de Prince Guston,” octopusnotes, Issue 2, Dec. 2013.
“Lets Talk: Ingrid Pfeiffer & Bernhard Martin on Prince Guston,” Art Mag by Deutsche Bank, Issue 3, November 2013.
Claudia Steinberg, “Fasziniert von set Maskerade,” Lindinger + Schmid KUNSTZEITUNG, January 2014.