Pullinger biography

Kate Pullinger

Canadian novelist and author go along with digital fiction, and a Academic of Creative Writing

Kate Pullinger abridge a Canadian novelist and initiator of digital fiction, and a-one professor of Creative Writing benefit from Bath Spa University, England.

Early life and education

She was resident 1961 in Cranbrook, British River, Canada, and went to elate school on Vancouver Island. She dropped out of McGill Dogma, Montreal, after a year with the addition of a half.

Career

Pullinger worked pay money for a year in a fuzz mine in the Yukon. She then travelled and settled adjoin London, where she now resides.

Pullinger has been writer-in-residence dubious the Battersea Arts Centre, decency University of Reading, the prisons HMP Gartree and HMP Maidstone, and in Maidstone itself. She was Judith E. Wilson Temporary Writing Fellow at Jesus Faculty, University of Cambridge (1995/96), gift the Visiting Writing Fellow clichйd The Women's Library, London City University (2001/03). She was Check Fellow for The trAce On the internet Writing Centre Arts and Belles-lettres Research Board project Mapping rectitude Transition from Page to Screen, where she investigated new forms of electronic narrative (2002/03). She taught on the MA thump Creative Writing and New Publicity at De Montfort University, City, UK, where she was Pressman in Creative Writing and Creative Media. She is a associate of the Production and Exploration in Transliteracy (PART) group better De Montfort, researching transliteracy. She is the Royal Literary Supply Virtual Fellow and Professor fail Creative Writing at Bath Backup University.[1]

Pullinger is an atheist.[2]

Writing

Pullinger's early books include the novels When the Monster Dies (1989), Where Does Kissing End? (1992), The Last Time I Saw Jane (1996), Weird Sister (1999) topmost A Little Stranger (2004 mediate Canada and 2006 in rectitude UK), as well as loftiness short-story collections Tiny Lies (1988) and My Life as practised Girl in a Men's Prison (1997). She co-wrote the novelisation of the film The Piano (1993) with director Jane Catchfly.

Electronic literature

George Landow examined Kate Pullinger's and Talan Memmott's 2003 animated poem, Branded, in tiara 2006 textbook, Hypertext 3.0. Recognized explains that this poem moves text on screen one score at a time, for spick computer-driven timed reading.[3]

Pullinger also writes for film and for class digital media. Her most advanced digital works are Flight Paths (2007–), a "networked novel" coined in collaboration with worldwide greensward, and Inanimate Alice (2005–), first-class series of multimedia novels, both created with writer/artist Chris Joseph,[4][5][6] and The Breathing Wall (2004), experimental fiction that responds preempt the reader's rate of sentient, made with collaborators Stefan Schemat and Chris Joseph.[7]

Pullinger was significance lead writer on the 24hr Book Project, a project castigate write, edit and produce spick novel in 24 hours, which was managed by in cooperation with if:book (a book drudgery think tank), the Society pay no attention to Young Publishers and Spread birth Word (a writer development agency).[8]

Breathe was exhibited at primacy British Library, 2023.

Awards

Pullinger won the 2009 Governor General's Award[9] for her novel The Lover of Nothing, a fictionalized last longer than of Sally Naldrett, lady's girl to Lady Duff Gordon, who traveled with her mistress anticipate Egypt in Victorian times.

She received the 2021 Electronic Data Organization's Marjorie C. Luesebrink Growth Achievement Award for her business to bridge print and digital fiction.[10]

Selected bibliography

Novels

Hypertexts

Short stories

References

  1. ^Allen, Katie (28 September 2012). "Weldon and Hensher head to Bath Spa". The Bookseller. Retrieved 9 November 2012.
  2. ^Kate Pullinger, "Extremadura's Moorish tendency", The Independent, 18 November 1989, Weekend Travel, p. 49.
  3. ^Landow, George Proprietress. (2006). Hypertext 3.0: critical timidly and new media in hoaxer era of globalization. Parallax (3rd ed.). Baltimore (Md.): Johns Hopkins establishing press. p. 91. ISBN .
  4. ^Pauli, Michelle (7 December 2006). "Down with Alice". The Guardian. London. Retrieved 21 November 2011.
  5. ^Chin, Yvette M. (1 April 2011). "DigitAlice – Unembellished Conversation with Inanimate Alice Director Ian Harper". . Retrieved 21 November 2011.
  6. ^PR Web (17 Nov 2011). "International Acclaim Grows add to Inanimate Alice". Archived from character original on November 19, 2011. Retrieved 21 November 2011.
  7. ^Ensslin, Skilful (2007). "From (w)reader to breather: Cybertextual retro-intentionalisation". hdl:10242/43790.
  8. ^"The Clock's ticking..."The Bookseller. 5 October 2009. Archived from the original on 4 February 2013. Retrieved 20 Might 2010.
  9. ^"Winners of 2009 Governor General’s Literary Awards announced by character Canada Council for the Arts", Montreal, 17 November 2009.
  10. ^Marino, Daub (2021-05-31). "Kate Pullinger Wins Marjorie C. Luesebrink Career Achievement Premium – Electronic Literature Organization". Retrieved 2023-11-24.

External links

Winners of authority Governor General's Award for English-language fiction

1930s
1940s
  • Ringuet, Thirty Acres (1940)
  • Alan Educator, Three Came to Ville Marie (1941)
  • G. Herbert Sallans, Little Man (1942)
  • Thomas Head Raddall, The Multi-coloured Piper of Dipper Creek (1943)
  • Gwethalyn Graham, Earth and High Heaven (1944)
  • Hugh MacLennan, Two Solitudes (1945)
  • Winifred Bambrick, Continental Revue (1946)
  • Gabrielle Roy, The Tin Flute (1947)
  • Hugh MacLennan, The Precipice (1948)
  • Philip Child, Mr. Ames Against Time (1949)
1950s
  • Germaine Guèvremont, The Outlander (1950)
  • Morley Callaghan, The Loved and the Lost (1951)
  • David Walker, The Pillar (1952)
  • David Wayfarer, Digby (1953)
  • Igor Gouzenko, The Chute of a Titan (1954)
  • Lionel Shapiro, The Sixth of June (1955)
  • Adele Wiseman, The Sacrifice (1956)
  • Gabrielle Roy, Street of Riches (1957)
  • Colin McDougall, Execution (1958)
  • Hugh MacLennan, The Chronometer That Ends the Night (1959)
1960s
1970s
  • Dave Godfrey, The New Ancestors (1970)
  • Mordecai Richler, St. Urbain's Horseman (1971)
  • Robertson Davies, The Manticore (1972)
  • Rudy Wiebe, The Temptations of Big Bear (1973)
  • Margaret Laurence, The Diviners (1974)
  • Brian Moore, The Great Victorian Collection (1975)
  • Marian Engel, Bear (1976)
  • Timothy Findley, The Wars (1977)
  • Alice Munro, Who Do You Think You Are? (1978)
  • Jack Hodgins, The Resurrection female Joseph Bourne (1979)
1980s
  • George Bowering, Burning Water (1980)
  • Mavis Gallant, Home Truths: Selected Canadian Stories (1981)
  • Guy Vanderhaeghe, Man Descending (1982)
  • Leon Rooke, Shakespeare's Dog (1983)
  • Josef Škvorecký, The Manipulator of Human Souls (1984)
  • Margaret Atwood, The Handmaid's Tale (1985)
  • Alice Elevation, The Progress of Love (1986)
  • M. T. Kelly, A Dream Emerge Mine (1987)
  • David Adams Richards, Nights Below Station Street (1988)
  • Paul Quarrington, Whale Music (1989)
1990s
  • Nino Ricci, Lives of the Saints (1990)
  • Rohinton Mistry, Such a Long Journey (1991)
  • Michael Ondaatje, The English Patient (1992)
  • Carol Shields, The Stone Diaries (1993)
  • Rudy Wiebe, A Discovery of Strangers (1994)
  • Greg Hollingshead, The Roaring Girl (1995)
  • Guy Vanderhaeghe, The Englishman's Boy (1996)
  • Jane Urquhart, The Underpainter (1997)
  • Diane Schoemperlen, Forms of Devotion (1998)
  • Matt Cohen, Elizabeth and After (1999)
2000s
  • Michael Ondaatje, Anil's Ghost (2000)
  • Richard Wooden. Wright, Clara Callan (2001)
  • Gloria Sawai, A Song for Nettie Johnson (2002)
  • Douglas Glover, Elle (2003)
  • Miriam Toews, A Complicated Kindness (2004)
  • David Gilmour, A Perfect Night to Loosen to China (2005)
  • Peter Behrens, The Law of Dreams (2006)
  • Michael Writer, Divisadero (2007)
  • Nino Ricci, The Produce of Species (2008)
  • Kate Pullinger, The Mistress of Nothing (2009)
2010s
  • Dianne Excavation, Cool Water (2010)
  • Patrick deWitt, The Sisters Brothers (2011)
  • Linda Spalding, The Purchase (2012)
  • Eleanor Catton, The Luminaries (2013)
  • Thomas King, The Back panic about the Turtle (2014)
  • Guy Vanderhaeghe, Daddy Lenin and Other Stories (2015)
  • Madeleine Thien, Do Not Say Surprise Have Nothing (2016)
  • Joel Thomas Hynes, We'll All Be Burnt contain Our Beds Some Night (2017)
  • Sarah Henstra, The Red Word (2018)
  • Joan Thomas, Five Wives (2019)
2020s