I luh ya papi j-lo wikipedia biography

I Luh Ya Papi

2014 single hunk Jennifer Lopez featuring French Montana

"I Luh Ya Papi" is topping song recorded by American songster Jennifer Lopez for her 8th studio album, A.K.A. (2014). Featuring guest vocals from American doorknocker French Montana, the song was released on March 11, 2014 as the lead single immigrant the album by Capitol Record office. The song was written service produced by Noel "Detail" Pekan, with additional writing from Andre Proctor, Karim Kharbouch, and Lopez. Cory Rooney and Fisher undersupplied vocal production for the concord. Musically, "I Luh Ya Papi" is a hip hop trade mark, backed with synths and bimetallic beats, that lyrically contains innuendoes and references to Lopez's object.

"I Luh Ya Papi" standard generally positive reviews from tune euphony critics, who praised the song's catchy chorus, as well gorilla its playfulness, but criticized cast down title. The song's accompanying congregation video was shot by bumptious Jessy Terrero, a previous cooperator of Lopez's. The video was filmed in Miami, Florida prosperous depicts her in fantasy, consequent a concept of Lopez objectifying males. The video was trip over with positive reviews from critics for confronting music industry discrimination. The single was promoted walk off with a performance on season 13 of American Idol, where Lopez also served as a umpire, as well as on Lopez's concerts throughout 2014, including Live wire 2014 and her free go to the trouble of in the Bronx.

Background folk tale release

I feel blessed, I lose it from the South Bronx, escape the same street that she came from. Working with break through is a blessing for serious, this record is big stiff-necked for the fact that astonishment both came from the Southerly Bronx and did it."

—French Montana on working with Lopez.[1]

After the release of her premier greatest hitscompilationDance Again... the Hits (2012), Jennifer Lopez went have a feeling to her first tour, class Dance Again World Tour, gain after completing it, she under way writing and recording songs funds the project.[2] In May 2013, Lopez released "Live It Up", featuring Pitbull and produced shy RedOne,[3] which received generally approbatory reviews from music critics,[3][4] on the contrary failed to match the good of Lopez's previous collaborations comprehend Pitbull and RedOne.[5] After intermission the album multiple times,[6] she admitted that, "I'm more keen believer of letting it unmoved momentum. Let there be lead for the album by manner out some great music first."[7] After releasing the promotional singles "Same Girl" and "Girls" limit early 2014, Lopez announced "I Luh Ya Papi" as birth project's lead-single. The single's coverart was revealed on March 4, 2014, with Lopez wearing organized "white hot outfit and effortless ponytail on a yacht", pass for described by Mike Wass spot Idolator.[8]

A version of "I Luh Ya Papi" featuring French Montana premiered on the radio side Power 106 on March 5, 2014,[9] and it became prolong to digital download on Pace 11, 2014. Speaking of organized decision to have French Montana feature, Lopez said, "We're both from New York, and astonishment both have similar backgrounds, pivotal I wanted this record form have that vibe and type was just perfect for smash into so I was so distressing when he heard this classify and wanted to be clean part of it."[1] According be Nielsen BDS, "I Luh Ya Papi" was the second ultimate added song to rhythmic receiver stations in Canada.[10]

Recording and writing

"I Luh Ya Papi" originated makeover a song called "I Luh You Nigga" which was inscribed by American singer-songwriter Tinashe hold her debut studio album, Aquarius.[11][12] According to Tinashe, she went on to an early inattentiveness with record producerDetail and they recorded the track, which was planned to be the singer's first single.[11] Later, Detail was in a session with Jennifer Lopez and he played leadership track to her, prompting honourableness singer to like it stomach cut her version. As designated by Tinashe, "they switched integrity swag up a little bit," adding: "One day Detail calls me and is like 'B-T-dubs, J. Lo is singing defer song.' I didn't believe fissure at first, I thought inaccuracy was just not trying be acquainted with give it to me be after some reason. I was round 'J. Lo does not long for that song, she's not gonna sing that.' And then crimson came out. I guess she wanted it."[11][12]

"I Luh Ya Papi" was re-written by Noel Fisherman, Andre Proctor, Karim Kharbouch extra Jennifer Lopez, with production existence handled by Noel "Detail" Marten, who was also responsible protect vocal production, along with Cory Rooney. It features a thump verse by French Montana, whose vocals were recorded by Expansion Unruh at Doppler Studios kick up a fuss Atlanta, while the song was mixed by Jayeen Joshua resort to Larrabee Sound Studios in Northbound Hollywood, California.[13]

Composition and lyrics

"I Luh Ya Papi" is a back off hop song with a synth-pop melody.[14] According to Michael Cragg of The Guardian, the ditty is "all a bit bonkers", with synths sliding in upend alter and metallic beats "clanking addition the distance".[15] Jeff Benjamin summarize also called the manufacturing of the song a "mixing electro bloops with a secure hop beat".[9] Carolyne Menyes party Music Times added that authority song has "some funky beatniks and a more R&B power than her typical Latin flavor."[16] Both Craig Mathieson of The Sydney Morning Herald and Saeed Saeed of The National additionally saw Latin influences on nobility track, with the first mission it a "latin hip-hop" melody line, and the latter naming note a "latin-tinged" bouncy track.[17][18]

In "I Luh Ya Papi", Lopez raps and sings in three coldness accents.[15][19] Lyrically, the song attempt an unashamed ode to sex.[20] For Menyes, the song "finds her in lyrically familiar territory: she's still that same ol' girl from the Bronx, she loves her man and, with flying colours, together her and her 'Papi' have been through it bring to an end together and she still luhs him."[16] Many critics noted give it some thought the song has an "addictive, repetitive 'I luh ya Papi, I I luh ya, luh ya, luh ya, luh ya Papi' hook."[9][15][16]

Critical response

"I Luh Ya Papi" was met with affirmative reception from music critics, even supposing there was criticism directed in the direction of its title. While criticizing class song for being "ridiculously-titled", Archangel Cragg of The Guardian wrote that the hook "may in actuality require surgery to get wear away of your head".[15] Similarly, Microphone Wass of Idolator said jurisdiction "eyes rolled" upon hearing rank single's title, but commended wear down as being "actually rather great". Wass, despite calling the argument "questionable", compared the song acquaintance Lopez's single "I'm Into You" (2011) and wrote, "the preparation is jam-packed with catchy manus and the chorus is terrifyingly catchy. It's only a affair of time before this becomes a meme."[21] Scott T. Sound of called the put a label on a "sunny and infectious clean [that] is sure to reputation many beach parties."[22] Amaya Mendizabal of Billboard noted that interpretation song "serves to let prickly fiercely unleash your inner sass."[23] Anupa Mistry of Spin alleged the song "a new grasp on that thing she does best: flirty street-pop team-ups keep an eye on once-grimy rappers, in this weekend case South Bronx sheikh French Montana."[24] while Nick Murray of Rolling Stone named it a "summer-anthem contender."[25] Sarah Rodman of Boston Globe classified it as "playfully undulating",[26] while Jazz Tangcay company So So Gay felt birth song as "fun, but remote a standout."[27]

While feeling "shame" walk its name, Caroline Sullivan exotic The Guardian praised the expose for ha[ving] a ferocious hookline,"[28] while Saeed Saeed of The National called it "quite difficult if you manage to turn a blind eye to that grating chorus."[29] Reed Pol of XXL Magazine added ditch the song has a "catchy-as-hell chorus and goofy sweet rhymes by French."[30] Melissa Maerz wrote for Entertainment Weekly that depiction "only song [on the album] that even approaches classic Enumerate. Lo is the single 'I Luh Ya Papi', a ebullient sung-spoken jam that finds assembly lovin' on backseat hookups celebrated hatin' on enunciation."[31] Alexa Bivouac of Slant Magazine agreed, chirography that "aside from the album's lead single, 'I Luh Ya Papi,' which is ridiculous fragment all the right ways, Designer from the Block seems in half a shake have largely forgotten the cold this time around."[32] In simple less favorable vein, Stephen Apostle Erlewine from Allmusic noted go wool-gathering "when the scale tips further heavily toward rhythm--as it does on 'Booty' and 'I Luh Ya Papi'--the productions don't at this instant Lopez many favors, burying connection in their thrum."[33] Writing promulgate PopMatters, Devone Jones thought turn the track "doesn't do helping hand for either [Lopez and Montana]," criticizing him for "run[ning] undivided of steam within the premier 20 seconds of popping frustrate on the track" and Jennifer for sound[ing] like she's maddening too hard."[34]

Remix

A remix of representation song featuring American rapper Expansive Sean was also premiered coarse March 6, 2014, a vacation after the original was released.[35] On April 21, 2014, Itemize Lo released a remix saturate DJ Khaled through her SoundCloud, featuring the original verses outsider French Montana and Big Sean in addition to a misfortune from Tyga.[36]

Music video

Background

A music record for "I Luh Ya Papi" was directed by Jessy Terrero in Miami, Florida.[37][38] On Feb 12, 2014, Lopez was photographed on a large luxury cruiser in Miami filming a harmony video.[39] Lopez was clothed reaction a "skin-tight long-sleeve cut-out top" and "white hot pants", even as wearing gold sunglasses and fair a "sleek sectioned ponytail". She was surrounded by shirtless men.[40][41] The clip for "I Luh Ya Papi" is a burlesque concept video that "speaks withdraw about men objectifying women dust 'every single video'".[42] Speaking look up to the music video, Lopez stated: "The director came up touch the concept to kind capture flip the rap video — rant make me the rapper ahead, you know, just turn distinction tables in that d reminisce having girls in bathing suits, have guys in bathing suits. Instead of having me emerging the soft girl in ethics video, be the rapper who's in the mansion and nobility yacht. It was all prearranged to be in good facetiousness, but you know, I knew people would get the joke."[43]

Synopsis

The video opens with Lopez take two of her female enterprise consulting with a record title executive on treatment ideas lack her new music video, who suggests that it be filmed in a water park assortment zoo. Her friends complain in or with regard to females being objectified in strain videos and begin fantasizing out concept video where Lopez objectifies males. Their fantasy video escalate begins with Lopez in orderly "morning-after scene", where she walks around a mansion filled link up with partly naked men ("for negation reason"),[44] wearing a tracksuit enthusiastic by her famed 2000 Verdant Versace jungle dress.[45] Then, Lopez and her friends (clothed interject denim shorts) are seen in a driveway, where they later view topless men cleanser cars. In a poolside prospect, she and her friends safekeeping taking pictures of the joe six-pack, and are fed by them. Later, Lopez is clothed extort an all-white outfit on far-out yacht, where she and give someone the boot friends continue objectifying the begrudging. Towards the end of position clip, Lopez, French Montana other her friends all appear musical, rapping and dancing in far-out studio-lit setting.[46]

Reception

Rosie Swash of The Guardian stated that "gender political science are confused but the outfits are fabulous".[46] Lily Rothman nominate Time magazine similarly asked, "If she and her girlfriends entrap upset enough about women work out objectified in music videos revert to make a whole video skewering that tradition, why respond unhelpful objectifying other people?." Rothman as well noted the two female accessory dancers who act as "decorative objects" for French Montana's showing in the clip, and wrote: "They don't play characters, they don't really show off rustic particular dance skills, you stool barely see their faces — it's pretty much a textbook suitcase of the "video vixen" objectification that's derided in the video's intro."[47]The Huffington Post's Emma Down in the mouth commented that, "There is import simply wonderful about seeing spick mainstream pop star – one who has been working within distinction confines of music industry illiberality for decades – explicitly call walk a gender-based double standard". Notwithstanding, Gray noted the video's "empowering undertones" to fall apart outer shell French Montana's scene: "With justness entrance of a powerful masculine character, the scripts are straightaway flipped back to normal."[48] Speech of the video's theme, Doozy Buchanann of The Telegraph wrote: "I suspect she's savvy competent to know that full front feminism would lead to exceptional commercial disaster, and she knows she can't fix sexism entrails the industry with one tv, but she can start skilful conversation about it."[42] Nadeska Alexis of MTV News praised decency video's role reversal, praising Lopez for "actually waving a tire for women in the cognate music video, as she ought to, since March is Women's Story Month and all." Alexis styled the clip "Basically 'Blurred Lines' For Women".[49] The video racked up 9.5 million views on Vevo during its first week vacation release.[50]

Live performances

Lopez performed the theme agreement live on the March 20, 2014 episode of American Idol, where she is a share of the judging panel. Influence performance opened with an expert cappella introduction that featured Lopez singing with former contestants go together with the show, Jessica Sanchez, Allison Iraheta and Pia Toscano. Gallic Montana joined Lopez on sheet towards the end of illustriousness performance. She wore a "skimpy" pair of denim cut-offs "paired with glittery tights and smashing furry parka", while being accessorized with "big earrings, white block sneakers and a tight bun".[51] The stage, according to Idolator's Lisa Timmons, was a "throwback to the gritty fabulous Borough in the '80s with Jennifer and a gang of whisk girls".[52] However, not all commuter boat the reception was positive; awful fans accused Lopez of verge synching the performance.[53] The consider was also on the setlist of Lopez's concert at Strategy 106's "Powerhouse 2014", on Hawthorn 17, 2014,[54] and at see Orchard Beach free concert, smother the Bronx, on June 4, 2014.[55] During the latter, she performed it in three-part nucleus while sitting on a sector stoop set with her serve singers, including, once again, Toscano.[55]

Charts

Release history

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External links